Dante on the Move

Tag: walking

  • ‘New Life’: From Pontassieve to Florence

    On my final day, I met a lovely couple who invited me for lunch and felt the warm embrace of the sun and of friends which filled me with new life. 

    I slept badly, waking up every two hours. I was worried about my broken toes and how they’d manage the 21 kilometres I would have to face to make it back to Florence and complete the ring of the Dante trail. The very prospect had seemed near impossible when I had shared my wish with Massimo Kyo and Alina in the tranquil oasis of San Pietro a Romena two weeks ago, and then again two days ago in the Hermitage of Santa Maria. Now I was so close and the end was in sight. Yes, I was doing it.

    I tried to summon up Virgil’s words of encouragement to Dante in canto 24 of Inferno when he becomes weary as they pass through the bolgia of the thieves:

    ‘“Now you must cast aside your laziness,”
    my master said, “for he who rests on down
    or under covers cannot come to fame;

    and he who spends his life without renown
    leaves such a vestige of himself on earth
    as smoke bequeaths to air or foam to water.

    Therefore, get up; defeat your breathlessness
    with spirit that can win all battles if
    the body’s heaviness does not deter it.

    A longer ladder still is to be climbed;
    it’s not enough to have left them behind;
    if you have understood, now profit from it.”’

    I would rise up like Dante and take on the steep climb up to the Convento dell’Incontro:

    ‘Then I arose and showed myself far better
    equipped with breath than I had been before:
    “Go on, for I am strong and confident.”’

    On my way out of the town at around 9am I stopped momentarily to watch a tall man pruning an olive tree on a ladder. It was a sunny day, perhaps the sunniest so far on the cammino. Despite this, I wore my long-sleeved black top in order to protect my new tattoo from the rays. The purple stencil had already started to disintegrate rendering the terracotta outline clearer. I loved it. 

    I went down the hill past the beautiful medieval bridge that had been damaged in the recent floods and stopped at an old bakery to purchase some pizza and fizzy water. The streets were bustling with people and, despite my fatigue, I found myself whistling in good cheer. 

    I passed a police officer who was giving a black man a car ticket and saluted Asia who I had met the previous evening in the tattoo parlour. A swallow flew inches from my face as I passed under the bridge which was cluttered with antique furniture. It looked like everybody was spring cleaning. There were up turned stools, desks devoid of drawers. Two sagging single mattresses framed the display on either side like columns.  

    It was nice to be walking along the river. The fresh graffiti contrasted with the muted tones of the brick walls. A man passed with a shopping trolly and a flight of joggers zig-zagged along the narrow path. I thought back fondly of running along the river Charles when I had lived in Cambridge, Massachusetts, and hoped that my foot wouldn’t give me too much bother so that I could be up and running myself again soon.

    To the right of the path was a sculpture of a man striding forth from a rock. I was reminded of the engravings that Dante sees on the terrace of the proud in canto 10 of Purgatory which are so lifelike that they seem to speak to him of acts of humility:

    ‘There we had yet to let our feet advance
    when I discovered that the bordering bank—
    less sheer than banks of other terraces—

    was of white marble and adorned with carvings
    so accurate—not only Polycletus
    but even Nature, there, would feel defeated…

    This was the speech made visible by One
    within whose sight no thing is new—but we,
    who lack its likeness here, find novelty.’

    Thus was the power of great art. 

    A sign said ‘no fishing’.

    Two men were fishing. 

    The water ran aquamarine. 

    I was saluting everyone on the path, including a new mother who was stroking her baby’s fine hair on a picnic blanket beside the river. The hawthorn petals were a perfect white and exuded an almond-like perfume. 

    The recreational path soon gave way to allotments which featured a variety of vegetables and flowers that were being carefully attended to by a diverse group of local citizens. It was the first time I’d seen yellow irises, and here was a line of Romagnolo artichokes in their characteristic bruised purple and green. 

    I crossed the river over an iron bridge. The pathway was perforated with little holes so that you felt you might fall down at any point. It reminded me of being scared, as a child, that I would slip between the staggered metal stairs at the council flats where my school friends had lived back in Milton Keynes.  

    I was slightly haunted by the size of the hill ahead of me and though it was only 10:15am, I was already hot.

    I stopped to check directions with a man who was cutting grass. It looked like he’d put henna on his hair the way some older Indian men do. It was a livid orange.

    The yellow broom smelt buttery and delicious.

    I passed a church on the right and took a wrong turn which afforded a beautiful view back over the city. I then retraced my steps to take the steep climb of the wooden bank off to the left of the road. The foliage was intruding onto the path in thick tendrils causing me to duck and dive. A spider web was suspended in the sunlight, diaphanous. 

    I could feel the weight of not having slept with every step up the woodland pass but the shadow of the trees was merciful. I was rewarded by the sight of a kaleidoscope of tiny flowers. Here some purple gromwell creeped along the ground, sending out long trails of dark green matt leaves sprinkled with gentian-blue flowers. And there were pink prongs of common sainfoin. I recalled how Dante described being drawn to beauty in Purgatorio, canto 18:

    ‘The soul, which is created quick to love,
    responds to everything that pleases, just
    as soon as beauty wakens it to act.

    Your apprehension draws an image from
    a real object and expands upon
    that object until soul has turned toward it;

    and if, so turned, the soul tends steadfastly,
    then that propensity is love—it’s nature
    that joins the soul in you, anew, through beauty.’

    As I exited the woods, I passed a tennis court which seemed unusually located on the rocky terrain. Two men were working out how to get a van along the path. The one who seemed to be in the more authoritative position was wearing blue overalls. Now it was nearly 12 o’clock and the sun was beating down on me. Soon I’d stop for my lunch of the remaining pizza. 

    But I didn’t have pizza for lunch after all. Instead, I chanced upon Matthew, an English man from Derby, near where I live, who was outside his house performing chores. His sweet dog Paloma had come to greet me and when I’d saluted her back in English, Matthew asked me if I’d like some water. 

    I gratefully accepted. 

    And this wasn’t just water, it was fizzy water – ice cold and from a Soda Stream.

    We soon got deep into conversation about all things Oxford where he’d also studied, and rowing, which I had not, and, with that, conversation turned into lunch. 

    Matthew was an environmental engineer while his Italian wife, Nicoletta, who he’d met at language school, worked in fashion. Florence in the summer was too busy for them with tourists, they said; they liked their hillside retreat. I was reminded of summers in Oxford when I would angrily ping my bell as foreign exchange students would stray into the cycle lane. I had been so lucky to live in Florence during the winter when the whole city had felt manageable and somehow my own. 

    Nicoletta had prepared a delicious quiche and focaccia which we ate with a salad and local pecorino cheese.

    ‘I’d offer you chedder, but that seems unfitting,’ Matthew quipped. 

    As I told them about my journey, I noticed that Nicoletta had tears in her eyes. She was a fellow Dante aficionado and was deeply moved by the fact that I had embarked on this pilgrimage. We began citing Lorenzo di Medici’s famous poems, finishing the sentences of one another:

    ‘How wondrous beautiful is youth, 

    yet fleeting, so soon gone, in truth!

    He who will, let happy be, 

    The morrow has no certainty.’

    I told her how instead of the Backstreet Boys I’d had a poster of Lorenzo di Medici on my wall as a teenager. She could relate. She explained that she’d just got round to unpacking a box of books including a compendium of Italian verse which she was devouring.

    There was a princess crown in a bowl with walnuts that belonged to their daughter who was named Florence Rose. They had lived in the house three and a half years and done a spectacular job of restoring it. It even had a bathtub! How very unItalian, came my immediate thought.

    Their ample garden was rich with almonds, walnuts, figs and cherry sized plums. There was a peach tree that Matthew had just planted beside their pool and rows upon rows of olive trees from which they harvested their own oil. The key to pruning them, Matthew explained, is to hollow out the inside so that the tree looks like a donut. I thought about my own short-lived time as an apple tree pruner on a farm in California. How I had romanticized and then so quickly come to detest that slow labour.

    I spent about an hour with Mathew and Nicoletta sitting on sunbeds by their pool chatting leisurely. Then, I took my leave, explaining that I had friends who would be waiting for me in Florence that evening. 

    ‘You must come back!’ said Nicoletta as I heaved back on my rucksack and headed down the dusty drive. I very much hoped I would.

    After a steep ascent up to the Convento dell’Incontro, I got my first sight of her. There she was before me once more with a skyline woven in orange thread: Florence, the most beautiful city in the world. There was the Duomo, San Lorenzo and Giotto’s tower. And there, somewhere in the hazy distance, were Alina and Kelsey who had travelled specially to Florence to meet me at the end of my cammino. 

    I thought I’d better get a move on, but at the same time something about today made me cherish each individual step. I was slower on foot not because of my broken toes, but because this was my last day of a three week long cammino and I knew how much I’d miss the tread. 

    I didn’t put on an audiobook or music, I just wanted to be at one with my thoughts and reflect on what I had achieved: the highs and the lows, literally and metaphorically. 

    A fellow hiker who looked North American was walking the other way. I saluted her – she was as pink as I was in the afternoon sun. I noted that one of the cuts on my hand might be infected and applied some ayurvedic balm. A bright green caterpillar dangled on a thread.

    The descent was without shadow, a combination of brushland and road. I breathed in the sweet scent of wild sage as sweat accumulated in my philtrum and then spilled over onto my lips. I could hear the blood pumping in my ears. I couldn’t imagine doing this hike in the summer months.

    I was trying to walk on my heels as much as I could as the pain in my toes grew more insistent. 

    With each corner, Florence emerged again in all her splendor, framed by a variety of species of trees. I thought of Dante’s poem ‘Three women have come round my heart’ which he wrote from exile, longing for a view as close as this. 

    ‘They each seem sorrowful and dismayed, 

    like those driven from home and weary, 

    abandoned by all, their virtue and beauty 

    being of no avail. 

    For though we are wounded now, we shall 

    yet live on, and a people will return 

    that will keep this arrow bright. 


     And I who listen to such noble exiles 

    taking comfort and telling their grief 

    in divine speech, I count as an honour 

    the exile imposed on me; for if judgement 

    or force of destiny does indeed desire 

    that the world turn the white flowers 

    into dark, it is still praiseworthy to fall 

    with the good. And were it not that the fair 

    goal of my eyes is removed by distance 

    from my sight – and this has set me on fire –

    I would count as light that which weighs on me.’

    With each careful step I was just that bit closer to San Giovanni where I would lay my rose from Ravenna at Dante’s place of imagined return. It had gone a bit moldy in my bag if truth be told but it was the thought that counted. And over the last three weeks I had given this important step of my literary pilgrimage a lot of thought indeed. I was nothing if not a terrible romantic. 

    I had prepared well for the trip, but had I prepared myself for it to end? What would I do without that familiar sound of the cuckoo and the butterflies dancing before me along the path? The pretty purple wildflowers and all those hundreds of barking dogs?

    Florence felt so near that it was as if I could reach out and touch her, but she was still 10 kilometres away. I passed a shrine that someone had embedded in a tree and took a moment to make a wish before spontaneously embracing it. Then I stopped for a little rest. 

    I reached the first open bar at around 3pm and delighted in downing some more fizzy water. 

    Then, after half an hour more, I’d reached the river Arno. It looked like reflective glass. I thought about Giordano and his Monet Lake made out of mirrors. Anna, Massimo Kyo, Rossella, Enrico, Oliver, Paulo – what people I had met on my way!

    I passed a hedge of Japanese cheesewood whose flowers smelt citrusy and vibrant. I took a sprig and held it to my nose, inhaling every last hint of perfume. I picked some wild garlic and smelled the oil heavy on my hands. There was so much here you could make a whole batch of pesto, I thought. 

    I was getting into the suburbs now. I passed the Florentine Equine School and a Business Centre for Young Doctors which had a crest decorated with half of the Florentine lily and half of the Medici shield.  

    The landscape had flattened out and I heard children playing in a schoolyard. It was strange to use a zebra crossing and be amongst so many cars. I was now just over 90 minutes away and would reach the baptistry by five. 

    I caught sight of myself in one of the corner mirrors on the road. I hadn’t washed my hair in five days and my braids were fraying at the edges. But I looked well. I looked really well. As Dante had written over 700 years ago, this was a ‘vita nuova’, a ‘new life’!

    As I traced the path along the Arno, a form of blossom like sheep’s wool collected at my feet, causing me to sneeze. Some people were sunbathing next to the weir. I remembered running up there in those precious three months I had spent in Florence as a Visiting Professor. Someone was sitting on a plastic chair in the middle of the water, of course. A lone woman was kayaking down the river.

    I kept my eyes peeled, recalling the time I’d taken the group of refugee students to Florence and my co-facilitator, Mortezza, had spotted an otter in the bullrushes. 

    ‘It looks just like the emoji!’ Mihal from Venezuala had exclaimed.  

    I’d also spotted kingfishers several times.

    I retraced the path of the beginning of the cammino which I’d hiked with Alina at my side, recalling the same beehives, hens and the same random upturned table in the middle of a lawn. 

    My inner world had changed profoundly and my outer body too – I had thick calves and my behind seemed to have moved up an inch. But here much was the same. A young woman in fashionable sunglasses walked past me with a Calvin Klein bag; another woman with neon pink lightening earrings rode by on an electric scooter. Two female lovers sat opposite one another on a bench with their legs intertwined.

    And now I was in the city in earnest. The dum dum dum of music with a heavy base played out from somewhere to my right and several joggers ran topless in the sun. Tour coaches lined the streets with signs reading promises such as ,’Experience Pisa and Florence in a Day.’ I stopped to observe a lizard biting another’s tail.

    ‘Have you come far?’ asked an elderly gentleman.

    I had, I replied. 

    ‘Porca puttana miseria’ came his response, ‘good for you!’

    I passed the canoe club and the bridge off to Piazza Michelangelo from where, on several occasions, it had been a delight to watch the sunset. I passed through the remnants of the old city walls. 

    Florence had always seemed like such a small city to me, but suddenly it seemed so big.

    Here and there were grids covered by the familiar ugly orange netting. But now it didn’t mean that there had been a landslide, it meant roadworks.

    Two people walking with audio guides around their neck nearly walked into an open drain as they passed a stall selling suggestive aprons stamped with the statue of David. 

    I didn’t need a map now. I was on home turf.

    I passed the national library with its Dante sculpture and quote from his political treatise Convivio, ‘let this be new light’. Then came the Galileo Museum, shortly after which I turned right at the Uffizi galleries. Over the heads of all the eager street artists, I spied a second Dante sculpture which depicts him pointing at himself in a gesture of self-importance and pride. Here in stone, he has been bequeathed the laurel crown of poet that he so desperately wanted to return to wear in person before he had died, aged 56, in exile. I thought of his bones, lying in Ravenna. 

    From Palazzo Vecchio I weaved in and out of guide groups who were following umbrellas of every neon hue. Three people were eating the special Florentine schiacciata on the move. A little Canadian girl was playing with a wooden sword.

    ‘Whoosh,’ she cried out, ‘off with their head!’

    Under the stone arches, it was nice and cool. But I’d never been here when it had been so busy. It was heaving.

    The smell of leather hit me as I passed down the main street and I resisted the temptation to pop into my favourite lingerie stores. I couldn’t believe I was in reach of the baptistry, my final stop. 

    I was glad to have this final moment on my own. The last three weeks had tested me beyond what I thought I could endure physically and mentally and I felt happy and restored. 

    And with that, I turned the corner and there she was, the baptistry in her green and white marble.

    She stood simple and sublime.

    I thought of how struck I had been at the age of 15 when I had first seen the mosaics inside and of the copy of Christ’s head that I had rendered that was likely still situated in the paving of my old secondary school. I thought about the first time I had read the words of Dante and felt seen and understood in my sense of being lost. The sobs immediately came. I placed my hands upon the flank of San Giovanni and tucked the rose I had brought from Ravenna in the doorknob. Dante’s dream had been to return as a poet and now, in some ways, symbolically, I had brought him back.

    Turning the corner, Kelsey and Alina with whom I’d shared parts of the cammino were there to greet me with a huge hug. Kelsey had made me a laurel crown with roses which she placed upon my head – they smelt magnificent. Alina who was wearing characteristically fashionable unmatching earrings squirted at me with champagne in the traditional fashion of Italian graduations. I sent a picture to Giordano, the founder of the trail. 

    ‘Consider yourself a graduate of poetic passages in Tuscany and Emilia Romagna,’ he replied with a smiley face emoji.

    That word passages had come to mean so many things to me. Passages of the Divine Comedy, passages through place and time; the many passengers who had travelled with me.

    As I melted into Kelsey and Alina’s embrace I thought of canto 21 of Purgatorio when Virgil meets with his beloved mentor Statius and realizes that he is unable to hold him because he is but a shade. He says, in one of the most moving passages of the entire Divine Comedy,

    ‘“Now you can understand
    how much love burns in me for you, when I
    forget our insubstantiality,

    treating the shades as one treats solid things.”’

    I had been gone three long weeks, much of which I’d spent alone in the wilderness, and as I hugged my friends, I felt my body return to life. I thought of all the times I had been to visit friends in detention centres where we’d been banned from touching; I thought of the borders that divided us; of Tagore’s ‘narrow domestic walls’.  

    Alina untangled her face from my hair. 

    ‘A question’, she asserted.

    ‘Do you think, after all this, that Dante would have written the Divine Comedy had he never been a refugee like me?’

  • ‘Visible Speech’: From Dicomano to Pontassieve

    The sun shone strongly on the rolling hills and I reflected on great art’s ability to speak in indelible ink.  

    I woke at 7am and ate breakfast with the construction worker from Udine and a colleague of his who was also staying at the B&B, Pino del Capitano. Coffee was served in a chipped teapot.

    We discussed Italian TV and the phenomenon of the velinas who are attractive women who serve at props in news and current affairs shows – showgirls, if you will. When I had started studying Italian in my teenage years, I had been struck by the sexism that dominated much of the culture, but I reflected that on my cammino I had encountered nothing but respect and chivalry. 

    I was worried about my toes which were swollen and painful from yesterday’s fall and so I bound them together once more with some tape and plasters that had been left to me in a first aid kit by Alina. Today I would walk tentatively and see how far I got. It was going to be a case of mind over matter, for sure.

    Ivan proudly showed me the lemons he had picked from his own tree. They smelt sweet and tangy at the same time. I was reminded of the citrus house in Oxford’s botanical gardens where I would sit and read as a student. 

    As I departed back up the valley, a line of mist like an airplane trail hung lightly in the sky. It was sunny but the air was fresh, or rather ‘frescino’.

    I love Italian suffixes such as ‘ino’ and ‘etto’ which denote something as small. ‘One’ renders its subject big and ‘accio’ makes it wicked. My Italian exchange partner Maurizio had called me ‘Jennina’ – little Jenny.

    I would miss speaking Italian on my return. Speaking a foreign language is like playing a musical instrument through which you get to express a different part of yourself. In French, I go by Jennifer; in Italian I am Jenny; and in Arabic I am Jen which means ‘ghost’.

    Kelsey, picking up on my international mindedness and desire to incorporate all my different linguistic personalities called me ‘Jenny-Jennifer-Jen.’

    As I passed down Via Garibaldi, there was a church on my left and an elderly gentleman attending to his roses. One of the gardens that lined the little path featured a tree decorated with easter egg wrappers and outside one house was an exercise bike. ‘Free to anyone who loves the planet,’ read the paper note.

    As I crossed the beautiful river, I realized I was limping. The pharmacy wasn’t open for another hour so I made do with Ibroprofen and carried on my way. On the road there were shards of a car’s wing mirror that glittered in the dawn light.

    I entered a café in Dicomano’s centre to grab a second coffee and got talking to three men in bright yellow nurses’ uniforms. I asked one of them about my foot. He said the same as my mum had, to lance my toes together, put my foot up with ice and rest. I told him that this wasn’t a possibility and that I had to continue. 

    ‘I see,’ he responded with a smile. ‘So, you grind your teeth and carry on, girl!’

    The gaggle of men sitting smoking outside could have been intimidating, but I wasn’t self-conscious at all. On the contrary, I felt welcome. There was a self-service laundromat and a shop called Meat Matters, both of which were yet to open. 

    I walked alongside the river for around 20 minutes. Some graffiti said, ‘all cops are bastards.’ There was a beautiful little allotment on the left and an avenue of cypress trees to the right. I crossed beneath a short railway bridge which even touched my head at five foot two. 

    A man was walking a ridiculously small dog in a gilet.

    I read a sign alerting me that I was on the Path of the Powerful Arno, also known as the ‘Path of Partisans’. In the Spring of 1944, the resistance to the Nazis had grouped together near here and walked to Florence which they would finally liberate on August 11th. I thought of one of my favourite Italian writers, Elsa Morante and her novel La Storia, which means both story and history. It narrates the life of a single mother living under Nazi occupied Rome:

    ‘Freedoms are not given,’ she writes, ‘They are taken.’ 

    It was hot and I was sweating as I left the river and mounted the rise out of the town. A school bus went up the hill and down again. I’d really come to appreciate nicely ploughed agricultural land; the brown earth was spilling up its guts, vulnerably awaiting new crops.  Someone had a boxing bag hanging in their garden.

    Today I felt like walking in silence. I was nearing the end of the cammino and every second was important. Every now and again a stone would get caught just under the front pad of my left foot, sending a shooting pain up my leg. But I was on the way of the partisan. What did I have to worry about, really? It hurt, but I could still walk and walk I did.  My right calf twinged. Perhaps I was overcompensating for my left foot?

    After yesterday’s multiple diversions, I kept religiously checking that I was on the right path. I saluted the town as a train chugged by, turning the corner into a silver cobweb that broke upon impact with my nose. 

    A flurry of flowers, a kind of sage I think, were covered in ‘cuckoo spit’. The phenomena actually has nothing to do with cuckoos or spit at all. The foamy liquid is caused by a type of bug called a froghopper nymph, also known as a spittlebug.  The insect feeds on sap found in plant stems and leaves behind blobs of this spit-like goo. 

    I saw a new type of butterfly – yellow and black in the middle, its wings became translucent at the ends. 

    There were white flowers with yellow middles, pregnant with pollen and I was happy to see the bees enjoying it. The shadow from the trees was merciful as I made my way up a steep uphill path. The sedimentary rock crumbled in clumps beneath my feet.

    I followed the navigator on my phone down a little path where the grass was really tall, stopping to pet two golden retrievers who accompanied me for a short while. One licked my hand which was salty from the sweat.

    A stack of abandoned beehives looked like filing cabinets on the hill.

    Though the sun was maturing in the sky, I resisted wearing sunglasses as I wanted to enjoy every bit of the view. I wished I hadn’t left my sunscreen behind and trusted that my cap would offer sufficient protection.

    A man was sat reading in a field of chickens. A tabby cat crossed the path in front of me, reminding me of my own cat, Dante, back home. 

    As I passed a vineyard, I realized something momentous. The vines which I had identified at the start of my walk as tortured souls from Dante’s wood of suicides now appeared to me as yogis mindfully stretching their limbs towards the sun.

    My depression had lifted and I felt quite transformed in body and spirit. 

    All the nettles of the region seemed to have assembled here from where they stung me through my leggings as I crossed the overgrown field. My boots were snagging on sticky weed and there was a landslide. Then the overgrown foliage transformed into a perfect lawn.

    I stepped in something only to release that it was the entrails of a dead deer. The back half of its carcass was a little further up the path. Flies were making a feast of it. What could have got it, a wolf?

    As I passed a series of small waterfalls, I noted the ferns that sprung up in fans like toilet brushes. The landscape felt almost tropical. A pock marked cliff face protruded onto the road.

    I crossed a rickety wooden bridge and a sign that led to the Poet Hotel. What I assumed to be a father and son were playing in the stream. 

    Three hours had passed since I had left and so I stopped to take some more pain killers, observing a plastic unicorn rocker and succulents on the wall.

    Accompanied by the sound of the stream I felt like listening to Neil Young’s Harvest, one of the few CDs I had bought with me aged 18 as I trekked through India and Nepal. 

    ‘Will I see you give more than I can take?
    Will I only harvest some?
    As the days fly past will we lose our grasp
    Or fuse it in the sun?’

    Silverlake Ranch emerged and I greeted 12 horses who were each stationed in their own field by a reservoir. 

    The church bell sounded out at 11.58am, two minutes early. A spider had caught a fly in its web and it was slowly disintegrating. And there sat the spider proudly on the top of the grass.

    I was about half-way to Pontassieve and my broken toes were feeling it. I would stop in the next village and assess the situation.

    I arrived in Galardo to the smell of woodsmoke and strings of drying laundry that lined the narrow streets. Someone had decorated the front of their house with purple and orange snapdragons. I took one between my fingers and made the familiar mouth shape: snap! Some mushrooms were colonising a tree. 

    I stopped at a bar overlooking the river and ordered a coke zero and tuna and tomato stracciata. The type of bread – salty and delicious – suggested I was getting near to Florence. I knew better this time than to ask for cheese, and it tasted all the better for it.

    The owner, Sofian, was from Tunisia and so we exchanged a few words in Arabic. He had turquoise eyes that were quite captivating. 

    ‘We get a lot of pilgrims who stop here on the cammino di Dante but also the Via Francesco. But you’re the only person I’ve met who has gone it alone. It must be tough, especially for a woman.’

    ‘Not really,’ I replied. 

    I explained to him about my broken toes and he suggested I take a lift to Pontassieve with a local guy who would be passing by shortly to pick up some wine. The wine was made in house. Next to the bar there stood a heavy metal corking machine.

    It was tempting. I was determined to walk the full way back to Florence tomorrow and I’d already done 15km today and climbed 75 floors. I could wash my clothes, catch up on my blog and be ready for tomorrow which would undoubtedly be a day full of emotion. Kelsey and Alina were going to meet me in Florence along with Professor Alberto Tonnini from the University where I’d taken up a visiting professorship in 2023.

    Otherwise, there was the train or the bus, counselled Sofian. I heard him on the phone explaining that there was a ‘pretty blonde girl who wanted a lift’.

    Within ten minutes, Maurizio had arrived. He was a gentle older man with a solid grey moustache who drove a green jeep. 

    ‘Sorry for the mess,’ he offered. ‘For me a car is a way to get from A to B and nothing more.’

    I offered him a drink and, with speed he downed a glass of rose. 

    I thought of Virgil seeking out a shortcut from him and Dante in canto 11 of Purgatorio,

     ‘to reach the stairs; if there is more than one
     passage, then show us that which is less steep; 

     for he who comes with me, because he wears
     the weight of Adam’s flesh as dress, despite
     his ready will, is slow in his ascent.’

    See, even Dante had taken it easy sometimes.

    In the car, Radio Capital, a Roman station, played out a solid mix of 90’s tunes. Maurizio explained to me that he was retired but still repaired cars with his son for a living. But today was May 1st, workers day, and so he was having a day off.

    As we passed the medieval bridge, he explained that a ‘bomb of water’, or flood, had hit the town on March 15th, causing damage to its foundations and inundating the football field. There were logs that had been carried by the surge still deserted on the banks of the river.

    ‘Luckily no one here was hurt,’ Maurizio sighed. ‘You hear the sound of water and you can’t do anything.’

    I thought back to Rossella and her animals, not all of whom had survived the floods of 2023. 

    Maurizio left me by the town hall in the old city and wished me well,

    ‘Be careful in Florence,’ he advised me, ‘the political rivalry of Dante’s day continues there today.’ 

    ‘Oh, there’s the local major,’ he said, waving, and then he sped on.

    I felt vindicated in my decision to dye my hair blonde which had clearly played a role in me getting a lift.

    I strolled around the old city walls and was surprised at the decent size of the town. There was a United Colours of Benetton and a shop that sold nothing but sewing machines. A man’s barbershop was full of beautiful antique equipment. I saw my reflection in the window – the top of my shoulders were red with sunburn.

    I climbed up a little side street that smelled of soap and up a very steep hill to the apartment where I would be staying that night, La Taverna di Caterina. There were orange trees on the terrace and a sweeping view of the city. 

    Caterina’s daughter Anna showed me the lovely flat which had a round table outside for writing. Inside there was an amazing selection of books including The Red and the Black by Stendhal and verses by Leopardi.

    I thought back to Stendhal’s romantic novel. 

    ‘A good book is an event in my life,’ he had written. 

    As I washed my face in the sink, I realized I had come out in spots from the constant sweating. There was a heatwave back in England my mum messaged me to say and I wondered if she had caught the sun too. 

    I did some writing, caught up on work emails and then wondered back into the town. 

    Since the start of my cammino, I had wanted to do something permanent to mark the adventure and my relationship with Dante, so as I passed a tattoo studio I tentatively walked in and inquired if they had any spaces.

    They did.

    I spoke with Massimiliano, the lead tattoo artist and explained something of my journey and intention. Then, as if by magic, out he whipped a copy of the Divine Comedy from his backpack.

    ‘I always carry it with me,’ he said, ‘here and there I read a verse or two.’

    It felt meant to be. 

    Together on an iPad we designed a simple outline of the baptistry where Dante had been baptized and where he had wished to return a poet and assume the laurel crown. It was more original that getting a tattoo of the Duomo which was very popular in these parts, Massimiliano said. His dad was from Florence. This was the first time he’d tattooed an English person. 

    Two other female tattooists, Asia and Claudia, were working and they were chatty and curious to hear about my walk and my blog. 

    Massimiliano had to go and collect his daughter and so I sat with Claudia who realized my tattoo. She inked the small design in a subtle terracotta colour that I associated with Florence.

    ‘You’re not thinking of your feet anymore,’ she said, as the needle buzzed across my arm.

    And then it was finished.

    ‘Now you’re more Florentine than me!’ Claudia announced. 

    I was thrilled with the finished product and celebrated by going to a sushi bar where I necked a platter of dragon rolls. 

    Underneath my jacket I stroked my new tattoo. It was a work of art, a testament to what Dante calls ‘visibile parlare’ or visible speech. A picture could say a thousand words. 

    ‘I see you,’ this tattoo seemed to say. 

    ‘I see the pain of exiles and I am committed to documenting it.’

    ‘I have walked 400 kilometres and more to re-see the beauty of Florence and there, tomorrow, may I find peace.’

  • Over the Misty Mountains: From Marradi to San Benedetto in Alpe

    I said goodbye to Pope Francis, was humbled by the kindness of strangers, and struggled over the staggering mountains.

    It’s common that Italian bars and restaurants have TV’s on in the background, so over a breakfast of a croissant and cake I watched as the news anchor looked back on Pope Francis’ life. There was no doubt about it, he had been an incredible man. 

    Although I’m not a Catholic, for all intents and purposes it seemed he had been a good Pope too.

    I recalled how struck I had been when he’d blessed arriving migrant ships in Lampedusa and washed the feet of refugees. The news reported that migrants, along with homeless people and individuals in prison, had been among those invited to his funeral. Pope Francis had also spoken out about climate change. He would be sorely missed.

    500,000 pilgrims had descended on Rome to pay their respects. Kelsey, who lived there in an apartment by the Colosseum, said that the atmosphere was electric.

    I reflected that Prince William looked handsome with a beard and wondered how the encounter between Trump and Zelensky would go down. I had watched the entire video of his ritual humiliation at the hands of Trump and Vance at the Whitehouse and was left with the feeling that I had witnessed an act of bulling and extreme abuse occur upon the screen.

    11,000 police and security officers had been mobilized by the Italian state. 

    I watched Starmer greet Meloni with a kiss on the cheek and was reminded of the cruel recent UN approval for offshore processing centres for asylum seekers, a policy the UK had borrowed from Italy. 

    Franco appeared from between two baby chairs.

    ‘Buongiorno!’ he saluted me. He was wearing shorts and looked almost German with his fair hair and skinny legs. 

    ‘Buongiorno,’ I replied. 

    ‘Ah yes, the Pope of the people, he was,’ reflected Franco.

    I thought of Dante’s tumultuous relationship with the Popes, many of whom he’d put in Hell where they were buried in the ground headfirst with their feet on fire.

    ‘O Simon Magus! O his sad disciples!
    Rapacious ones, who take the things of God,
    that ought to be the brides of Righteousness,

    and make them fornicate for gold and silver!
    The time has come to let the trumpet sound
    for you; your place is here in this third pouch.’

    In this canto, Inferno 19, the prostituting of the Church-bride by her Pope-bridegroom picks up and metaphorises the sexualized language of previous parts of the Inferno. This canto is the first of several indictments of the Church in the Divine Comedy. Indeed, it picks up on some earlier indications that Dante links the clerical establishment with the sin of avarice. In Inferno 7 he says that he sees cardinals and popes among the misers in the fourth circle:

    ‘ These to the left—their heads bereft of hair—

    were clergymen, and popes and cardinals,

    within whom avarice works its excess.’

    I was captivated by the news but I had to get moving. Today was a long one and starting at 9 was already a bit ambitious, Franco warned me.

    He noted that one of my hiking poles was broken and I followed his gaze.

    ‘I don’t suppose you have any glue or something to fix it,’ I asked.

    His face lit up. 

    ‘I have just the thing’, he said.

    My host disappeared into a back room with the broken pole and reemerged ten minutes later. He had completely fixed it. It was sturdy as the mast of a ship.

    ‘But how did you manage that?’ I questioned.

    ‘Ah, it’s a secret,’ came his reply. ‘A bit of magic and good will.’

    I was beyond grateful. I was also grateful that after I’d finished my third espresso macchiato Franco handed me a fruit juice bottled filled with espresso.

    ‘You’ll need this,’ he said, ‘it’s for the road.’ 

    One of the passes I would cross today was named ‘Hell’s Hill.’

    I tucked it into my bag, delighted.

    I carefully removed a tick from my stomach as I watched a lady place flowers in boxes outside her store from the window. I realized I’d left my glasses and moisturizer at a previous hotel and was grateful for my contact lenses and Vaseline which I applied to my chapped face instead. 

    And with that, I set off back into the mountains. I saluted Franco. He left me his number in case I needed anything. He had been another ‘trail angel,’ as Kelsey called them.

    Though I had enjoyed by brief interlude from the 24-hour news cycle during my cammino, now I listened to the BBC World Service as I ascended out of the town. The Pope’s funeral was about to start and I was curious about how it would be covered. 

    It was a sunny but fresh day and I’d known better than to wear shorts. It would be cold up in the mountains and so I’d put on my trousers.

    There was no two ways about it, the ascent out of the city was steep. My back and shoulders hurt today as well as my feet. Today was going be a beast. I could feel my calf muscles twinging to life. I’d done some gentle stretching the night before but this was a burn.

    The sweat dripped off my nose and my hands slid, sweaty, on my poles. I had only been going for 20 minutes!

    A few mountain bikers past who I saluted – it was a sport I’d never tried. Someone had laid stones at the bottom of a line of trees like a familiar cairn. 

    I’d felt on the edge of tears for the last few days. Maybe today would be the day.

    I drank water liberally since I was counting on stopping at the Hermitage to restock on the way.

    I was religiously checking directions. I really didn’t want to add time to what would already be a super long day.

    The radio informed me that there had been a bishop in Rome for over 2000 years and that there were 1.4 billion Catholics in the world. Pope Francis had spoken out against the wars in Ukraine and Gaza. He had said that ‘a pastor should never lose the smell of his flock.’

    50 heads of state and ten monarchs were in attendance. 40,000 celebrants filled St Peter’s Square and 100,000 more were crowded before large screens on the Italian side of the border. The Vatican was, after all, its own city state.

    Someone said that the Argentinian Pope had even been able to do the impossible, make Brazilians forget their football rivalry and connect across the border. He had been a champion of interfaith dialogue.

    Then came the 10am news bulletin. Trump’s administration had deported a two-year-old to Honduras in breach of due process. Of course he had. This is what I hadn’t missed about listening to the news. I felt sick at the thought to it and recalled the poem:

    ‘First they came for the socialists, and I did not speak out—
         Because I was not a socialist.

    Then they came for the trade unionists, and I did not speak out—
         Because I was not a trade unionist.

    Then they came for the Jews, and I did not speak out—
         Because I was not a Jew.

    Then they came for me—and there was no one left to speak for me.’

    I followed the first of two detours that had been designed to avoid landslides, adding about two kilometres to my route. I dodged another group of mountain bikers, one of whom was topless. 

    It was very muddy on the path and I was immensely grateful for my poles to help me avoid a slip. Franco, you angel!

    There emerged a big rain cloud and the wind picked up.

    The radio continued with its commentary of Pope Francis’ funeral. 130 delegations were in attendance. Putin was not. He would have been arrested by international warrant if he’d set foot on Italian soil.

    Pontiff, I leaned, means ‘bridge builder’.

    In other news, North Korea had launched a new missile ship. What a world.

    A group of scouts came hiking towards me in the opposite direction. They saluted me cheerfully. Their backpacks suggested they were campers. I hoped for them as well as for myself that the rain would hold.

    I lost signal as I approached the Hermitage of Gamogna where an order of sisters lived and prayed. I passed two such nuns, one of whom was wearing a wooly hat, and they invited me to enjoy the church. The complex, a sign informed me, had been founded in 1053.

    I took off my cap as I entered the simple stone building and took awhile to sit on a pew and rest. It was incredibly tranquil. Before I left, I signed the prayer book.

    ‘With the wish of peace to all refugees and that I may complete this cammino,’ I wrote.

    I ate half of my controversial tuna and cheese sandwich in the pretty courtyard and refilled my water tank from an outside tap by which there was an abanonded toothbrush. I also drank half of the coffee that Franco had so kindly prepared for me. 

    Yum.

    A French couple were having a picnic and a couple of other hikers were making their way up to the church.

    It was 12.30pm. I followed the. prominent Cammino di Dante signs up to a field that was cordoned off with barbed wire – that’s not very nun-like, I thought. Then I crawled under it. My anorak was snagged. Would I regret this?

    I looked back at Oliver’s messages and texted him, waiting for his advice. There were footprints; somebody had come before.

    The woodland I entered was dotted with little wildflowers that looked like miniature violet pansies, and here was the familiar sprinkle of primroses.

    I exited the patch of woodland through another barbed wire fence, but this one, I noted, had a gate mechanism you could cross through and a sign that clearly indicated that livestock were grazing. I must have missed the gate in the previous fence. The nuns were ok after all. 

    Oliver had helpfully signaled to me where the path goes right off the road – it would be would be easy to miss – and up, up I went along a dirt path. 

    It was now 2 o’clock and I was about halfway. I was hungry. I ate some more of my sandwich. I was so grateful Franco for fixing my pole. Today’s hike would have been near impossible without it.

    The brooding clouds delivered the first spits of rain. I crossed a field with the sign, ‘Attention, wild bull!’ and crossed a pass called ‘Hell’s Hill’.

    I followed a man who was walking slowly with stick behind his back. We kept pace. I was about ten metres behind. The path was now lined with a brown brush-like plant. 

    It was still two hours to the waterfall. I wouldn’t get there before six, I realized.

    I was straddling the border between Tuscany and Emelia Romagna as I walked, observing stunning sweeping panoramic views of the mountains which were many shades of green. I stopped to observe from mushrooms sprouting on a log. Enrico would have known how to identify them. 

    A hawk swept across the landscape, crying out. This was the only sound I heard as I started the descent. 

    The cloud hung heavy in lines over the mountains and as I walked, slabs of sedimentary rocks came unstuck from the cliffside. I was trotting again down the steep bank. Patches of a new plant appeared. Was it a kind of hellebore?

    Now, as I passed a small permaculture plantation where two hippy-like women were chatting, I could hear the waterfall of Acquacheta. And then there it was: I got the first glimpse of the roaring tundra which spouted water from the top of the sky.

    Dante references this impressive waterfall explicitly in the Divine Comedy. In Inferno, canto 16, he writes,

    ‘And even as the river that is first
    to take its own course eastward from Mount Viso,
    along the left flank of the Apennines

    (which up above is called the Acquacheta,
    before it spills into its valley bed
    and flows without that name beyond Forli),

    reverberates above San Benedetto
    dell’Alpe as it cascades in one leap,
    where there is space enough to house a thousand;

    so did we hear that blackened water roar
    as it plunged down a steep and craggy bank,
    enough to deafen us in a few hours.’

    A young couple were cuddling on a bench beside the torrent and a family with two children were accompanied by a golden retriever. 

    ‘Let’s wait for mamma,’ said one of the children to the other, ‘it’s too slippery.’

    As I contemplated the abundance of water, my own tears finally came. I let gulped down sobs as I slid my feet through the boggy path. 

    I was alone and I realized stopping for a rest on a stone bench just how much my feet hurt. I had another bite of my sandwich. It was 4.30pm so I still had a good three hours of light. I pulled out my laptop to check where I was staying and let the happy family go on ahead of me.

    Once I was back on the trail I passed another couple. A woman cried out, 

    ‘Mamma Mia, the water shines like a crystal!’

    It did. At the bottom of the cascade the water collected in iridescent turquoise pools.

    Each time my stick got stuck in the mud I thought of Franco once more with enormous gratitude.

    Now wasn’t a good time to be alone with my thoughts and I was reassured by the cries of the children ahead. One of them had written ‘Forza Milano’ on a rock using a stone as a pen.

    I passed another smaller waterfall and a refuge to my left. I was entering a zone for protected fish, a sign informed me. 

    I crossed two rickety bridges and tried to ignore the cramps in my feet which were becoming intolerable. I was an hour from my hostel still and the path was now largly up.

    I passed a little girl with Barbie and a man on a vesper. A couple were taking a sausage dog for a walk. If they could do it, I could.

    As I arrived in the village, I passed two elderly bearded men who were selling eggs and honey. I had never been so happy to see a recycling bottle bank which announced that I had made it to the town.

    I passed a campsite up the windy hill and finally made it to my accommodation for the night, Ostello il Vignale. It was very basic, a room of bunkbeds with a shared old-school drop toilet and very thin blanket that would do little to keep me warm during the night. 

    The church bell sounded out six and with that, exhausted emotionally and physically, in the words of Dante when he is overcome in canto five of Inferno,

    ‘I fell like a dead body falls.’

  • A Divided Sky: From Oriolo dei Fichi a Brisighella

    Today’s mix of sunshine and rain left me in a melancholy mood which was not alleviated by the hotel’s awful spa.

    I woke up to a horrible dream which put me on edge. And, typical: I’d left my mosquito repellant with Kelsey to offload some weight and now, in the night, they had assaulted me. It was my own fault – it was a balmy evening and I’d left the window open to hear the cicadas.

    I received news from Stefano and Donatella that Oliver’s memory was returning and shortly after he sent me a Whatsapp message. Thank God.

    The aftershocks of yesterday’s drama were still hitting me. 

    The rain fell lightly on the vineyards surrounding the agriturismo, la Sabbiona, which had a swimming pool and children’s play area for the summer. There was a bench made of wooden crates from which you could enjoy them, though something like a large football net obscured the view.

    Over breakfast, I got chatting to Chris and Carey, a retired American engineer and teacher couple from Colorado who were vacationing in the region. We discussed Trump and their plans to keep travelling until his four-year reign was over. I thought of the schismatics and sewers of civil discord in Dante’s Inferno who are punished by having their body parts mutilated. 

    ‘Who, even with untrammeled words and many
    attempts at telling, ever could recount
    in full the blood and wounds that I now saw?…

    And then, were one to show his limb pierced through
    and one his limb hacked off, that would not match
    the hideousness of the ninth abyss.

    No barrel, even though it’s lost a hoop
    or end— piece, ever gapes as one whom I
    saw ripped right from his chin to where we fart:

    his bowels hung between his legs, one saw
    his vitals and the miserable sack
    that makes of what we swallow excrement.’

    The prophet Mohemmed shows his entrails to Dante and Virgil while on the left stands his son Ali, his head cleft from chin to forelock. Some other souls have their heads on backwards. That might be more suitable for Trump, I thought.

    Breakfast consisted of homemade juices – I chose raspberry and grape – that came in plastic cups (Italians really like their plastic cups) and a range of home-baked pastries. There were some pretty flowers in a little boxes set out on the table in a line. Perhaps there would be a wedding. I realized as this thought transpired that I was thinking in Italian – un matrimonio.

    I was eager to get back on the cammino after a couple of days of not walking but I was also tired. Yesterday had taken it out of me, even if I had slept all night. I had a headache and my stomach was playing up, so I took some paracetamol.

    As I set off, I was rewarded with the familiar sight of olive, rosemary and fruit trees. When I passed guard dogs, now I greeted them familiarly, converted by my experience in Forlí.

    The lizards were back and the thistles, poppies and sticky weed. Some wild verbena sprouted on the roadside. 

    A sign announced that we were in the land of ‘flavours and wine’.

    Once I’d passed the little church of Sant’Apollinare, which had been reconstructed in 1946 after bombardments in World War Two, I passed onto a dirt road where poems had been pinned upon the tree barks and lamposts. One called ‘crickets’ by Nino da Oriolo read:

    ‘In the red of evening

    The crickets serenade the moon

    In a row with elms they stand on top of the hill,

    They greet my day of work.

    I feel them close,

    They live in my land,

    They live in my sun,

    They feel my wind,

    We enjoy the pleasure of living.

    In silence they accompany me on my way.

    I am not alone, we are not alone.’

    I felt alone today, though now I had met Giordano, Marcello and Oliver, the guardians of the trail, I had a new appreciation for every marker on a tree or lamppost to which they had put their generous hands. I recalled how Giordano and his son both had strong, thick fingers like tree branches.

    I tried to religiously keep my feet dry as I navigated the mud which was embroidered with tractor tracks here and there. 

    Marco, who I had met at Fattoria Chiocce Romagnole, who had set off on the cammino from Ravenna, had written to warn me about the roads which were muddy and diverted in several places, and today, as I walked along, knocking over the daisies with the tip of my boot, I felt some comfort knowing that they had walked before me here.

    The path weaved in and out of the vines. A butterfly decorated some dog excrement and a man ate a brioche on a stationary tractor by the side of the road. The sun was strong up in the sky. 

    An explosion of poppies lined the margins of the path making me think back to the schismatics and of war. 

    My feet felt surprisingly OK. My shoes had fully dried out and I’d applied blister plasters preemptively before setting off. The wounds on the top of my toes had hardened into scabs. 

    It seemed like the world and his wife were mowing their lawns today in Oriolo. From everywhere emanated the smell of freshly cut grass. 

    A message from Kelsey arrived to say that the UN Lesbian March she had been organizing for this coming Saturday had been cancelled because some 250,000 people, including Trump, were expected to descend on Rome for Pope Frances’ funeral. Even from the grave it seemed he had it in for the gays. 

    I missed Kelsey. 

    Back on the tarmac, there appeared a pretty terracotta farmhouse to my right the colour of my bathroom and huge thistles the size of small children lined the road. 

    After an hour, I stopped for a caffé macchiato at Manueli restaurant which featured pretty frescos on the walls. My back was already sweating into my t-shirt. I contemplated stopping to write awhile but decided to continue on. Writing and walking had come to be, for me, one and the same. 

    I crossed the river Manogue and spied a lizard that had been run over. Its skin and guts were spilled out onto the pavement. It was an iridescent hue, green and blue, like an oil spill.

    A dusty blue Fiat Panda sped past and a lady in a straw hat who was cultivating romagnole artichokes wished me a buon cammino. 

    Everything in this region is ‘Romagnole’ – there’s a deep sense of pride. 

    A peacock strutted across the road next to a tractor as I passed over another river following the Via della Uccellina – the path of the little bird. 

    I looked back at the city of Faenza from where puffs of industrial smoke rose into the sky, merging with the clouds which were pooling grey and white. I’d visited Faenza with my Reading Dante with Refugees class and remembered vividly Sahra dancing on the stage of the spectacular theatre. I pinged her a message to see how she was getting on.

    It was relatively flat on the path though I was surrounded by undulating hills. The landscape reminded me somewhat of Le Marche where I had spent several summers at my friend Harriet’s house enjoying quality time with University friends. 

    I listened to some gentle Indie rock as I sweated under the midday sun.

    A big white car pulled out of physiotherapist’s office which I found odd to be located in the middle of the countryside. 

    The livid poppies made it look like the hill was aflame.

    The trees were embracing one another on either side of the path to make a tunnel.

    As Brisighella came into view before me, there were quite a few cars on the road. 

    Pink, yellow and purple irises bloomed from a garden to my right. I felt the rub of the end of my second toes inside my boots. 

    Throughout history, different cultures have attached meaning to the length of toes, including the second toe. The Greeks, known for their appreciation of beauty and mathematical harmony, considered a longer second toe, also known as Morton’s toe, as an aesthetic ideal. Greek sculptures, such as the Venus de Milo, often depicted figures with Morton’s toe, further perpetuating its cultural significance. French sculptor Frédéric Auguste Bartholdi studied Greek and Roman sculptures, which resulted in the Statue of Liberty’s longer second toe.

    As the mountains came into view beneath a purple sky which was heavy with rain, I thought again of items I could get rid of before the climb ahead. My hoody perhaps? Or my deodorant?

    Olive trees marked the perimeter of the vineyard and a familiar cuckoo sounded out.

    I stubbed my swollen toes on a crack in the road and stopped for lunch, looking back over Faenza and forward towards the towering peaks. I bit into a blood orange which burst in an ecstasy of sugar in my mouth. I was tired and I wanted to take a nap but the rain was coming, so on I went. The sky was divided in two: here in front it was dark and brooding, the colour of a whale; there behind me it was light, the colour of delphiniums. 

    As I continued, the road collapsed down to the left. The hills were cut with ridges and valleys like slices of an apple. 

    A blackbird sang out and the leaves on the trees began to rustle in the light wind.

    I had come to recognize the smell of oncoming rain. The butterflies had disappeared and, was that thunder I heard in the distance?

    The overcast sky made the hillside look emerald green rather than the more vibrant pea green of earlier in the day. A ruined brick house emerged from among the foliage.

    After about ten minutes of walking downhill, I realized I had missed a turning but I decided to proceed down the road along via Carla. I would pick up the trail later on.

    I stopped to cover my backpack at the touch of the first drops of rain, outside a house with peppermint green shutters. A huge beetle crossed in front of me and my phone pinged with the offer of a discount from a takeaway back home.

    At a junction where there was a Cammino de Dante sign, I stopped briefly to converse with a woman called Stefania who was pruning her roses. She greeted me warmly and I petted her dog, Pepe. She said I was the first person she’d seen pass this year. A man in overalls asked me if I’d come from England to salute the Pope.

    ‘I’ll let you go before the rain comes down any stronger,’ she said, ‘do you need anything, water?’

    She was particularly impressed that I was tackling the cammino alone as a woman.

    ‘You must have strong legs and a strong will!’ she said. 

    A bonfire in a farm to the right reminded me of one of my favourite Italian books, La luna e i Falò (The Moon and the Bonfires) by Cesare Pavese.

    ‘We all need a homeland,’ reads one line, ‘if only for the pleasure to leave it.’

    A tractor on the right was mowing in between the vines and the rain was starting to hit hard. I was rushing, trying to arrive at my destination, which was suitably called Modus Acquae, for a four o’clock zoom meeting.

    An impressive railway bridge on the right marked my entry into the city along with some tennis courts and recycling bins. 

    The river Lamone was opaque and surprisingly low given recent rainfall.

    I passed beneath the railway bridge and by some apartments with pretty flowers on the balcony and decorative windmills spinning in the breeze.

    A billboard advertised a pork festival, another steel sign announced that I’d arrived in the city of olive oil. The town sat in a nest of hills.

    I popped into a big Conrad supermarket to stock up on dinner and lunch for tomorrow and giggled at the significant section of Italian Mills and Boon novels which had titles including ‘The Seduction of Fire’ and ‘Undeniable Alchemy’. I treated myself to some smoked salmon, strawberries and dark chocolate.

    I made it just in time for my meeting with five minutes spare to untie my braids for a more formal look. It was about the presentation of some research on asylum appeals to the English judiciary. As part of the project, I’d observed 100 asylum appeals – an experience that had left me with a profound sense of moral injury at the injustice of it all. 

    After the meeting, I visited the hotel’s spa which had nothing on my blissful experience at the Hotel Granduca in Campigna. In fact, it was pretty awful. The view encompassed some orange tape, a ping-pong table and some camper vans that were stationed in the car park. The sauna was tepid at best and only one of the three jacuzzi functions worked. 

    Back in my room, I peeled the blister plasters off my socks into which they had unhelpfully melted and took a Coke Zero from the mini bar. There was no question about it, I was going to lose my second toenails from the rub, rub, rub of my boots. 

    The rain bounced off the cover of the swimming pool and an ant scurried across my balcony to find shelter. I would have to email my local book group to let them know I would miss tomorrow’s session on Americanah by Chimamanda Ngozi Adichie, a migratory novel that I’d loved.

    I felt a bit lonely as the rain stopped and the evening sunlight poured into my room. I looked out into the courtyard at an abandoned skateboard and starkly pruned tree. A Spanish girl in a princess crown was showing another how to ride a bike,

    ‘Go, Maria, go!’

    I checked my phone to see a message from Alina and another from Oliver. Alina’s news was bad: her mother’s house in Ukraine had been hit by shelling. The news from Oliver was good: he had been discharged from hospital and was finally home. 

  • Emergency: From Passo Vico to Bologna to Oriolo dei Fichi

    A last-minute invitation to Bologna came with some unexpected drama where I witnessed the strength of Italian family life and was impressed by the Italian health service.

    Although the Cammino di Dante is mostly a circular trail, the first day back from Ravenna required retracing the steps of day one. Since I’d already done that leg and I was in need of a rest day, after we dropped Kelsey at Ravenna train station, Oliver dropped me back at Fattoria Chiocce Romagnole where I was all too happy to stay with Rossella and her animals once more.

    I finally managed to wash my clothes and we spent a lovely evening together with her friends eating pizza and playing with the brood. I got to cuddle Margherita the skunk and a recently born pigeon. Rossella also introduced me to two chicks who had hatched from eggs just that day who were being cared for in an incubator. I was amazed to discover that as well as managing the farm she had an office job in Forlì  – this woman was a powerhouse!

    I had been among the first pilgrims of the year and there was a tangible sense of excitement that the season was starting. Spring was on its way which would be marked by a party to celebrate Rossella’s birthday. Kelsey would come from Rome. If only I could pop over from England!

    I saluted Blu the African gray parrot and Raul the smaller red one. I was also introduced, to my delight, to Dante and Beatrice, the pair of peacocks who merrily cavorted on the lawn in a frenzy of colour as we ate crisps and chatted among ourselves.

    Kelsey had brought me a nail file from her ample collection of hotel goodies – thus is the life of a UN employee – and I filed my nails neatly into ovals. 

    Oliver had invited me to the regional meeting for walking trails the next morning and, given that I’d be showing up in my rather pungent by now hiking wear, the least I could do was this small gesture of civility.

    I took a shower – with hair conditioner Kelsey had also provided that came in a miniature bottle – and looked at myself in the mirror of the wardrobe. Perhaps I had lost a few kilos. I noticed a large bruise on my right buttock where I had fallen in the Apennines on my way to Ravenna. It was the size and colour of a Victoria plum. 

    Despite my painful foot blisters, I felt in shape and ready to tackle the backwards leg of the cammino. An email arrived from Anna sharing much good will, an invitation to come and stay with her and write, and a reflection that perhaps next time I could consider spending more than one night in each place. She was right. It was saddening this constant stream of hellos and goodbyes; hence I was so happy to be back at Rossella’s farm. 

    One of the kittens batted a tampon underneath the bed. The other toyed with my shoelaces. This place had become like a second home and I wrote as much in the little guest book. 

    Oliver picked me up the next day in his large grey car and off we went to Bologna for the regional meeting of trail heads. There would be some 30 different walks represented including religious pilgrimages, such as the cammino of Assisi, and also the relatively new but expanding phenomenon of cycle trails. 

    Though it is not part of the official route, it felt right to visit Bologna on the Dante trail since he was known to have spent time there, probably teaching at what is one of the world’s oldest universities. I had visited the city on two previous occasions, once with my mum and once to visit my former partner who had procured a prestigious visiting professorship. 

    Unlike Florence where the medieval towers had mostly been flattened, here in Bologna the towers rise up in a phalanx, representing the phallic wealth and status of families who fought for power there. One such tower, the Garisenda tower, is mentioned at the end of canto 31 of Inferno to describe the staggering stature of Antaeus, one of the giants who are punished for opposing God, between the eighth and ninth circles of Hell. 

    ‘Just as the Garisenda seems when seen
    beneath the leaning side, when clouds run past
    and it hangs down as if about to crash,

    so did Antaeus seem to me as I
    watched him bend over me—a moment when
    I’d have preferred to take some other road.

    But gently—on the deep that swallows up
    both Lucifer and Judas—he placed us;
    nor did he, so bent over, stay there long,

    but, like a mast above a ship, he rose.’

    Antaeus transports Dante and Virgil to the deepest part of Hell, the frozen lake where he is to meet Satan himself.

    We don’t know precisely when Dante arrived in Bologna, but the details in his writings make it clear that he knew the city well. After Florence, Bologna is the most cited city in the Divine Comedy.

    On the way to the meeting, Oliver explained to me something of the politics of running a cammino. You had to make sure you had official permission for all the signs, and individual communes would lobby you to have you include them in the itinerary in order to boost the footfall of tourists there. As it was, the Dante trail had been divided into two rings, each providing a separate circular trail for the Tuscany and Emilia Romagna regions. After some gentle persuasion, they had also included an optional detour to include the city of Faenza.

    I felt at home talking bureaucracy and politics. I had worked at the European Parliament before Brexit, after all. 

    ‘Corruption was the biggest sin during Dante’s time and so it remains now,’ cautioned Oliver.

    As he mapped out the complicated process of fundraising to maintain the trail – putting up signs and information boards, cutting back brush, running the website, welcoming pilgrims –  I thought of Dante’s portrayal of the money lenders in Hell who have their heads bowed forwards for the weight of the money bags around their necks. The Cammino di Dante wasn’t all daisies and dandelions after all. 

    ‘That’s politics,’ sighed Oliver.

    Oliver had become involved in the trail a few years ago after re-reading Dante following a heart attack,

    ‘It was like opening a new book,’ he said. To read Dante was to ‘enter into a new world.’

    On the way to the meeting, Oliver spoke fondly of his wife, Donatella,

    ‘When you’re old, you need someone. She’s my soul mate.’ 

    I thought of my dad and his girlfriend to whom I’d sometimes been too harsh. Love was love after all. 

    Once arrived in Bologna, we parked the car on a street on the fringes of the city and Oliver covered my backpack with a patterned cloth:

    ‘Ochio non vede, cuore non vuole’ he said.

    What the eye doesn’t see, the heart doesn’t grieve. 

    It was a fifteen-minute walk to the towering palace where the meeting would be held and we stopped in a bar for a quick coffee en route. Oliver had a decaffeinated one – I had my usual, a double espresso macchiato. Yes, I was addicted to caffeine. 

    The district was business like and very contrary to the medieval city centre. 

    We located the building and shot up in the dizzying elevator to the 20th floor from where we exited into a meeting room. Some people had already arrived, and Oliver introduced me as a pilgrim and student of camminos.

    There followed a 90-minute meeting in which the different trail organizers each contributed thoughts on issues and opportunities to the regional office executive, a smart woman who greeted me in English and informed me that she had studied at Leeds University. It was highly formal. Everyone rose when she arrived. She was dressed in thick white glasses and a perfectly matched necklace. Business cards were flicked around like tiddledywinks. 

    I felt somewhat self-conscious not to be dressed in a suit and was relieved that at least I’d been able to wear clean clothes.

    Some of the trail organisers joined on Zoom, including someone who was walking as they spoke. This made me feel like less of an imposter. There was Via San Francesco, the Cammino di Saint Antonio, Via degli Abati, Via Romea Germanica, Via Misericordia, Via San Colombano…I’d have to come back to try them all.

    The window afforded a panoramic view of the city.

    We went round in a circle and when it was my turn to speak, I deferred to Oliver. I was there to give witness to the reality of the cammino, he offered.

    The discussion centered on the difference between ‘slow tourism’ and ‘active holidays’ and how the region could attract more tourists from both Italy and abroad. 

    ‘A path doesn’t exist if it isn’t maintained,’ someone said, and thus came a discussion of the floods of 2023 and 2024 and the ongoing damage to many of the pathways. Other topics included the facility of arriving at trailheads via public transport and different types of accommodation, including licenses for people to pitch tents. People appealed for more resources and someone raised the topic of climate change. 

    The region should leave a margin of wild trees on the edges of the pathways and invest in more accommodation in remote areas. There was an issue of hotels only wanting to give rooms to people who would stay for a week, not one night, in July and August – there were pilgrims and then there were tourists – it was important to make the distinction. 

    I felt proud to be representing the Dante trail. The King of England had recently mentioned Dante in a speech, someone pointed out with a hint of envy, so there would be a boom in foreign interest in our trail. 

    The meeting overran and people were hurried in their contributions. The gentleman next to me was taking notes in minuscule script, using a mechanical pencil on squared paper. The lady next to him drew a mind map. I noticed that Oliver didn’t seem to be taking any notes at all. 

    At the end of the meeting, the regional deputy offered some feedback and then proceedings were formally brought to a close.

    I turned to Oliver who, I noted, was wearing a Cammino di Dante jacket. 

    ‘That’s a wrap!’ I said.

    ‘Whose bag is that?’ he replied, pointing to his rucksack. 

    I was confused.

    ‘It’s yours.’

    By the time we had exited the lift, I had started to realize that something was seriously wrong. Oliver had asked me where we were and if I remembered where we’d parked the car. Had we come in a car?

    Physically he seemed fine and so I retraced our steps in the direction of the vehicle taking note of his behaviour. Was it just a funny turn?

    I managed to locate the car, my navigational skills no doubt seasoned by the trail, but, by that point, the gravity of the situation had hit me. Oliver was not ok. 

    ‘I think we need to go to a hospital,’ I said. 

    ‘Could I drive the car?’ Oliver suggested, admitting that his head felt ‘a little funny’. But I didn’t trust myself on the Italian roads. 

    I checked to see if Uber was operational – it wasn’t – then I asked a man who was passing if he knew of any taxi services.  

    ‘You’ll be quicker calling an ambulance,’ he said. And so call an ambulance I did.

    They instructed me to illuminate the car’s emergency lights to aid them in finding our location and gave the coordinates of the street. I was preparing for a long wait and instructed Oliver to sit tight inside the vehicle. 

    ‘Where are we?’ he kept repeating. 

    Much to my astonishment, the ambulance came in five minutes. Yes, five minutes. When my Dad had had a similar episode some years back we had had to wait five hours! It was ten points for the Italian health service from me.

    The paramedics were highly skilled. They checked to see what medication Oliver was taking and got him to say some tongue twisters. Could he raise his arms?

    In my head I tried to stay positive, but I also feared the worst. Surely he couldn’t have had a stroke, right here, right now, with me?

    I accompanied Oliver to hospital in the ambulance, sitting up front beside a paramedic called Samantha who had extravagant gel nails. She was curious to hear about the appalling state of the British National Health Service from which multiple governments had cut funding in recent years.

    Five minutes.

    I still couldn’t believe the speed at which they’d come.

    Once at the hospital, they took Oliver in for treatment and I was ushered into the waiting room. Was I family? I was not. We’d called his wife from the ambulance and she was on her way.

    I bought some fizzy water from a vending machine with a one Euro coin which had Dante’s face on it.

    There followed two long hours of waiting until I finally convinced the receptionist to let me go and see him. He was sat in a wheelchair in the moderate care unit ‘under observation’. He asked me where he was and I tried to see if he could remember me.

    ‘Allsopp?’ he tentatively offered. 

    But he remembered nothing when I showed him photos of the time we had spent together over the last three days. 

    As he repeatedly asked me the same questions, I thought of the thieves in canto 25 of Inferno who are punished by being metamorphosized, time and time again, from souls into serpents in some hideous version of Nietzsche’s Eternal Return.

    Like Dante, I was in shock,

    ‘If, reader, you are slow now to believe

    what I shall tell, that is no cause for wonder,

    for I who saw it hardly can accept it.’

    I also reflected that while Dante’s shades lose their bodies but not their minds, here was Oliver in the very opposite state. 

    Finally, his wife Donatella arrived. She was as lovely as Oliver had described her. Accompanying her was their son Stefano and his wife, Sara, who was five months pregnant with Oliver’s grandson. He had been euphoric when he had told me of the future arrival in the car that morning but now, he recalled not a thing.

    Upon seeing Sara, he burst into tears, 

    ‘What a wonder!’ he remarked.

    Over the next two hours, this was to happen time and time again.

    ‘But what news! What wonderful news!’

    ‘How many times have you become a grandfather today,’ Sara would later gest.

    We had to gest. There was nothing to be done but wait, instructed the doctors, and the whole situation was absurd. 

    Outside were huge signs reading ‘No smoking.’ 

    Everyone was smoking. Even I was smoking. 

    After a while, Oliver came to join us outside. He had a canular in his arm from where they had taken blood but otherwise he seemed physically in form. He asked where we were, re-discovered he was to become a grandfather once more, and, much to our astonishment, joked about his condition.

    ‘It seems I’ve had a sfarfallamento,’ he offered. This was a word to describe a funny turn that comes from the Italian for butterfly. 

    But then he would forget it all over again. 

    The Pope died several times. I got to know him repeatedly and he was moved to tears when I told him I had bought a rose in Ravenna that I would carry back to Florence with me in Dante’s honour.

    ‘Ma che bella cosa!’

    He was thrilled I was doing the cammino and offered me sound advice. His long-term memory was locked in, but short term he could not recall a thing. 

    ‘Allsopp?’

    His niece, Martina, joined us. We swapped power banks to charge phones and it was agreed that Donatella would stay with Oliver while Stefano and Sara attended to the dogs. And then there was me. 

    I was conscious of impinging on the family’s space, but each time I attempted to leave, offering to get a taxi, they insisted I stay. Kelsey had offered to come and meet me. Rossella had offered to come and collect me. There was so much love on the trail. But Oliver’s family insisted that they would take me where I needed to go. It was ‘the least we can do,’ they repeated.

    I knew better, being in Italy, than to reject this offer. 

    I had become somehow an addition of the family and I also deeply cared for Oliver. The last three days we’d spent together had been a riot. I had had the feeling of meeting a kindred soul, even though he now did not recall a thing.

    Luckily, I’d had the sense to pin the location of the car and take some photos, and so Stefano went to fetch it while we stayed with Oliver. It seemed to distract and reassure him, talking about the trail.

    The doctors insisted it was likely just a temporary memory loss: a transient ischaemic attack (TIA) or ‘mini stroke’ caused by a temporary disruption in the blood supply to part of the brain.

    Could it have been caused by the dizzying elevator that had even caught me out of breath?

    I was sad to leave Oliver but, in a moment of lucidity, after I’d reminded him who I was for the umpteenth time, he had encouraged me to continue with the cammino, chastising me with it for the big size of my backpack which I’d taken in the ambulance from the car. 

    ‘Could you have packed any more stuff?’ he joked.

    We shared a hug. His body seemed to remember the bond we shared, even if his mind currently didn’t. 

    Thus I climbed into the car with Stefano and Martina, moving some Cammino di Dante signs from the back seat to make space for us. 

    Who would put them up now?

    Stefano was clearly terrified for his father. The whole family had come out in a display of love and support which had moved me deeply. No wonder he had spoken so fondly of these special people.

    Night had fallen and so Stefano insisted on dropping me at the end of that day’s leg of the trail which was an agriturismo in Oriolo dei Fichi. I had called to warn them I was running late. He used my power bank to charge his phone and we discussed his dear relationship with his father and what it would mean to bring a son into this crazy world.

    After finding love at 37, within one year Stefano and Sara had got married and made a baby. 

    ‘When it’s the one, you know,’ he councelled.

    There was hope for me yet.

    As an only child, Stefano had the responsibility of both his parents on his shoulders. I felt grateful for my brother and grateful for my own family.

    The scent of wisteria hit me in the car park and the sound of the birdsong clashed with the disquiet in my heart. I hugged Stefano goodbye and he promised to keep me posted. 

    I sat in my room which had brick walls and a wooden beam ceiling. A beautiful antique wardrobe faced the bed. I knelt on it and did something I had rarely done in my 37 years, I prayed. I prayed for Oliver and I prayed for his family. 

    He was my Virgil, my ‘master and my author.’

    Without him to guide me, I felt lost.

  • A Mosaic of Colour: Ravenna

    I felt immediately at home in Dante’s city of exile, but the most special encounter came in the form of the hospitality of Oliver, our new guide.

    I had had the fortune to visit Ravenna on two previous occasions, once on a road trip with my University friends Tor, Martin and Will, and once to give a lecture at the University of Bologna. Ravenna is known as the city of mosaics and, as a mosaic artist myself, I had felt immediately at home in the city. This personal feeling of sanctuary came flooding back as I wondered the streets.

    On every corner are little mosaic plaques that depict flowers and announce,

    ‘Ravenna, city friend of women’. 

    Though they are never explicitly cited, it is said that the Byzantine mosaics in the church complex in Ravenna (Ravenna has some 200 churches) inspired Dante’s Paradiso which he completed in exile here.

    Among the depictions that one can most easily recognize in the Dantean text is the mosaic in the apse of Sant’Apollinare in Classe which contains a sky dotted with 99 golden stars and a gem cross, in the center of which it is possible to see the face of Christ. In the 14th canto of Paradiso, the souls who welcome Dante arrange themselves in the form of a cross, with Christ placed in the centre:

    ‘As, graced with lesser and with larger lights
    between the poles of the world, the Galaxy
    gleams so that even sages are perplexed;

    so, constellated in the depth of Mars,
    those rays described the venerable sign
    a circle’s quadrants form where they are joined.

    And here my memory defeats my wit:
    Christ’s flaming from that cross was such that I
    can find no fit similitude for it.

    But he who takes his cross and follows Christ
    will pardon me again for my omission—
    my seeing Christ flash forth undid my force.’

    In the 10th canto of Paradiso, meanwhile, Dante encounters a group of blessed souls who surround him and his celestial guide, Beatrice, forming a crown of twelve. A second crown of twelve souls joins them in canto 12, which moves in coordination with the first.

    ‘And I saw many lights, alive, most bright;
    we formed the center, they became a crown,
    their voices even sweeter than their splendor.’

    It is said that this image could recall the two domes of the Neonian and the Arian baptisteries, where the twelve apostles are depicted in a circle.

    It is also possible to imagine that Dante was inspired by the beautiful portrait of the Emperor in the Basilica of San Vitale. Paradiso 6 tells the history of the Roman Empire which Dante viewed as part of the divine plan of Christianity. Justinian has a prominent role. Indeed, the political sixth canto is dedicated to him:

    ‘Caesar I was and am Justinian,
    who, through the will of Primal Love I feel,
    removed the vain and needless from the laws.’

    The Procession of Virgins and Saints depicted in Sant’Apollinare Nuovo may also have informed his description of the grand procession that heralds the arrival of his Beatrice in the Earthly Paradise. 

    I left Kelsey to explore the mosaics and caught up with some work during the day before meeting with the current president of the Association of the Cammino di Dante, Oliviero Resta, known to friends as Oliver. We had an appointment outside the tomb of Dante at 5pm. 

    Oliver is unassuming with his bushy moustache and two pairs of glasses, a contrast to the exuberant personality of Giordano, the founder of the trail, with whom who we had had the honour to spend the previous evening.

    His quiet presence is fatherly and reassuring and, once again, I had the feeling that I had met a kindred spirit.

    That evening and the next day, Oliver was a host with the most.

    The first evening he showed us the house said to be home to Francesca di Rimini who is memorably depicted with her lover, Paulo, in a whirlwind of lust in canto 5 of Inferno. She is accompanied by Helen of Troy and Cleopatra. Her lyrical lament is among one of the most beautiful parts of the Divine Comedy,

    ‘Love, that releases no beloved from loving,
    took hold of me so strongly through his beauty
    that, as you see, it has not left me yet.’

    I recalled how when I had given my lecture on young refugees in Ravenna, two students in the front row had cried at the love story of Alim who, after being deported to Afghanistan from Leicester at the age of 18, had returned two years later only to find that his beloved had moved on and shacked up with his best friend. 

    As Dante says,

     ‘Alas, how many gentle thoughts, how deep a longing,
    had led them to the agonizing pass!’

    The emotional and relational lives of refugees is a topic long ignored in contemporary scholarship. Dante helps to set the record straight that refugeehood can be a sight of lust and longing. 

    Oliver took us through the winding streets to see the Basilica which hosted Dante’s funeral. There were signs of the spectacular mosaic floor of the ancient church beneath the foundations which now, quite strikingly, housed a shoal of goldfish. 

    At 6pm we returned to Dante’s tomb where there takes place, every day, a reading from the Divine Comedy. A crowd of about 50 people had assembled there to hear two women recite a canto from Purgatory. The tomb itself was constructed by Camillo Morigia between 1780 and 1782.

    We saw the hole in the wall where Dante’s bones had been hidden by Franciscan monks in 1810 to prevent them being claimed back by Florence. They were found by chance in 1865 and returned.

    Dante’s bones were once again buried in a secret place during the Second World Rar to protect them from bombardment by the Nazis. A plaque memorializes this event.

    In a pretty market in the square there was an exuberance of flowers and artisanal wares. I bought Kelsey a hand-whittled honey scooper.

    ‘I’ll think of you when I eat my honey,’ she said. 

    That night we dined at Passatelli  which since 1962 has been serving delicious local fare in a converted old cinema. We ate all local food including passatelli, a thick pasta that resembles a maggot but tastes anything but.

    We purchased more roses from Mashalim which we weaved into the doors of Dante’s grave. It was touching to see that the roses we had devoted to him the night before were still there, embellishing the tombsite. 

    The next day Oliver picked us up in his battered old car that had Dante information boards stored in the backseats that he would put on the trail in the coming days with the help of Giordano’s son, Marcello. Together they maintained every detail of the cammino meticulously. 

    We passed by the convent where Dante’s daughter had become a nun, taking the name of Beatrice, and visited the lido which had formerly been the port from which Dante had set off on his last perilous diplomatic mission to Venice to negotiate salt taxes. 

    Though the sea had now retreated some distance from the spot to create a wetland abundant with birdlife, you could imagine the scene. Though he arrived via water he returned from Venice on foot where he caught the malaria that would kill him on the night of the 13th of September, 1321. He was 56 when he died. 

    Oliver explained that a river used to run through the heart of the city but it had been diverted to prevent flooding. The Ravenna of Dante’s day would have looked familiar but also different. 

    ‘Every pilgrim has his way,’ he said.

    Ironically, at 71, Oliver himself isn’t a fan of walking. Some years ago, he’d had a heart attack and had four stents fitted, just like my own father.

    Kelsey had a train to catch at 1.40pm which gave us just enough time to check out the Pine forest of Classe, located a few kilometers south of Ravenna, which inspired Dante in his representation of the ‘thick and vibrant’ woods of the terrestrial Paradise, which receives Dante and Virgil along their path in the 28th Canto of Purgatory.

    ‘A gentle breeze, which did not seem to vary
    within itself, was striking at my brow
    but with no greater force than a kind wind’s,

    a wind that made the trembling boughs—they all
    bent eagerly—incline in the direction
    of morning shadows from the holy mountain;

    but they were not deflected with such force
    as to disturb the little birds upon
    the branches in the practice of their arts;

    for to the leaves, with song, birds welcomed those
    first hours of the morning joyously,
    and leaves supplied the burden to their rhymes—

    just like the wind that sounds from branch to branch
    along the shore of Classe, through the pines
    when Aeolus has set Sirocco loose.’

    The forest was full of life. Wild asparagus sprouted in tall stalks and pines shot up like towers. They had been harvested to make boats in the medieval period.

    Wild honeysuckle exuded a delicious tangy scent and from an acorn, an oak plant tentatively hazarded a thin thread of life.

    ‘If you don’t visit a place and touch it with your feet don’t get it,’ said Oliver.

    He spoke fondly of his wife, Donatella, who he said was very much at one with nature – somewhat of a tree hugger like me. When she harvested wild strawberries from the forest she asked for permission, he said.

    ‘Man needs to realize that nature does everything by itself.’

    Back on the road, we stopped at a piadina shack that was recognizable from its green and white stripes. I had one with rocket and a local runny cheese called squacquerone. Kelsey and Oliver had ham and hard cheese. I felt Italian, wearing my feather jacket in the midday sun.

    Oliver then took us to meet Paulo, another extraordinary man who makes his own ink out of oak parasites, which are rich in tannins, and uses it to write out, by hand, stunning tracts of the Divine Comedy.

    This ancient way of making ink requires daily mixing, boiling and the addition of iron and copper to make black from red and green. Gum is added from apricots and peaches to create a substance that is tacky, doesn’t run and sticks to the page.

    His work was flawless.

    The ink smelt like balsamic vinager and he kept it in a sea shell which he used for his ink pot. He was, he explained, a man of the sea. Mountain scribes use stones with holes in as their ink pots. 

    He had started on his work with Paradiso since he had been sick at the time and wanted some lightness – Dante’s vivid depiction of Hell was too close to home, he explained. But now he was recovered and halfway through Inferno. It was the second time he had transcribed the Divine Comedy since he was unsatisfied with his first attempt which was rendered in a slightly different, gothic font. He had had to change the font he used because, with age, his hand was not as dexterous.

    It took him five to six months to complete a canticle. 

    On some of the pages you could see the light outline of the lead he had used to draw the lines to guide his careful script. And here and there, he had embellished letters in gold leaf.

    Alongside the Divine Comedy he had transcribed the two volumes of Dante’s political tract, Convivio, and the Bible.

    After removing the car from his garage so that we could all fit in, he showed us his equipment of an eyeglass, goose feather quill, and a hare’s leg that had been taxidermized and stuffed with cotton. The softness of the hare’s fur gave a particular shine to the embossed parts of the manuscript, he revealed. Each text was written on paper made in the traditional way from papyrus. 

    The name for someone who handwrites manuscripts is an amanuense.

    When we had arrived, Paulo and his wife, Lucia, had been hand making passatelli. Of course they were, they said, it was Easter. They would eat it with prawns and courgettes in a soup, or brodo. 

    On the walls were family pictures, some of which had come loose from the frame, and a white shaggy dog called Pipo bounded across the room in search of affection. An easter display contained eggs and plastic decorations of rabbits and chicks. From the study two budgerigars were tweeting. 

    Paulo appeared incredibly humble but also proud of his work. 

    ‘Many normal people do things that are seen by others are titanic,’ explained Oliver. 

    Then suddenly his wife appeared from the doorway of the garage.

    ‘The Pope is dead,’ she announced. 

    ‘He met J.D. Vance yesterday,’ said Kelsey, ‘shit I hope he didn’t contract the evil eye.’

    I was struck how quickly the conversation moved on back to the books. Paulo was a religious man and the Pope was important, but he was here to show us his own devotional work.

    I asked him what his favourite part of the Comedy was,

    ‘For me,’ he replied, ‘Beatrice is everything.’

    He explained that for him calligraphy was a form of meditation that empties his mind. 

    He read us the last lines of Paradiso and then offered to write it out for Kelsey and I. Yes please, we said. He would entrust it to Oliver to pass forward. 

    Paulo tucked up the pages he was currently working on in a leather cover as if he were putting to bed a baby. 

    He used to go into schools to explain his work to the next generation but he fears that the art is being lost. He was teaching a 16 year old called Giovanni and a student at the university had done a thesis on his work.

    I thought of my great aunt mary who had taught me how to handmake pillow lace. I’d have to pull out my cushion and bobbins when I got home and see what I could remember. 

    As we left, we asked if there was anything we could do for Paulo and he simply said ‘remember me.’ This touched me for its similarity to the pleas of the souls in Dante’s afterlife who ask him to remember them when he returns to the earthly realm. 

  • Ditches, Dandylions and Donkeys: From Forlí to Passo Vico

    Today’s walk gave a detailed insight into rural life, while the animals at the farm where we stayed were a delight. 

    I had met my friend Kelsey in Forlí the evening before, still somewhat shaken after my strange encounter with the dog. To shake it off, we went partying until around 2am. 

    We must have been the oldest people in the underground club, but we had a blast, dancing and chatting to various Erasmus exchange students. We also met a couple of Moroccan men with whom I spoke Arabic and French. One was a hairdresser from Fez where I have a dear friend from a former home stay called Fatima Zohra. I thought of how unsuccessful I had been at navigating the souk when I stayed with her and felt proud, on the whole, of the navigational abilities I had demonstrated during this trip thus far.

    The nardo oil I had purchased at San Pietro a Romena had opened and spilled all over my bag in the night. I was sad to lose it, but at least the canvas now smelt fantastic which was not insignificant given that I had spent over a week sweating into the back of it. 

    After a slight panic about Kelsey misplacing her wallet, and then her earrings, we checked out of Hotel Lory at 11.30 after a breakfast of pastries, kiwis and bananas. Kelsey pointed out that the reason Italian café paper napkins are so thin and unpliable is because their primary purpose is to be used to hold  the food rather than to clean yourself up after it. She demonstrated this with a cream cornetto (no, not the type Pavarotti sung about, but a pastry). 

    I’d dried my boots on the towel rail and they appeared to have shrunk. After applying two blister plasters to my heels and two smaller elastic plasters to my second toes – which now had blisters at the very end – I had to lever my feet into them with a lot of wriggling and brute force. These were not happy feet. But today had been meant to be a shorter walk of only 15 kilometres. It turned out, of course, to be 22.

    ‘Do you mind?’ said Kelsey as she strode out into the tentative sunlight, putting on her all-American baseball cap which was a bright lemon colour. She tugged her long brown ponytail through the hole at the back as I laughed,

    ‘Go for it! Americans on tour.’

    Around her neck she wore a wooden necklace of a kingfisher which served as a whistle and, in her ears, she wore studs a friend had made for her out of wood depicting a little hiking backpack and a firepit. 

    A local pharmacy with an embellished façade had Chinese jars in the window and displays of honey, teas and perfumes. In fact, it was more like an apothecary, but luckily it sold Compeed blister plasters. They really are like a second skin.

    Kelsey introduced me to Propoli, an Italian herbal remedy for a scratchy throat made from a resinous mixture that honeybees produce by mixing saliva and beeswax with exudate gathered from tree buds and sap flows, in this case the Mediterranean poplar. 

    When we stopped for a coffee, we got chatting to a middle-aged man called Alessandro from Bologna who thought nothing of drinking a large glass of prosecco at midday. The café was still displaying Christmas gnomes inside.

    When I explained about the cammino, Alessandro began reciting a verse from canto 33 of Inferno, Dante’s famous encounter with the last great charismatic sinner of Inferno: the Sardinian vicar Ugolino who was locked in a tower in Pisa with his children. His sin was to have manipulated his family members in securing and consolidating power over Pisa. This form of exploitation, while taken to the extreme in Ugolino’s case, was systemic in Dante’s dynastic society. 

    Ugolino narrates to Dante the tortured days of imprisonment in the tower and his death by starvation, a death that takes him only after he has witnessed the deaths by starvation, one by one, of his children and grandchildren. Ugolino is depicted as an absent and terrible father.

    ‘I did not weep; within, I turned to stone.

    They wept; and my poor little Anselm said:

    “Father, you look so . . . What is wrong with you?”

    Therefore I shed no tears and did not answer.’

    Dante insists on the innocence of youth, saying of the children, ‘their youth made them innocent’, seeming to imply that Ugolino’s sins should not have been visited upon his descendants. 

    I reflected on the many young male Albanians with whom I’ve worked who have fled blood feuds of familial descent, a phenomenon that is largely ignored by the UK government in asylum decisions.

    Though the text is ambiguous, in a dramatic crescendo it seems to imply that Ugolino ate one of the bodies of his children who offered himself up to him so that he might survive a little longer:

    ‘As soon as a thin ray had made its way
    into that sorry prison, and I saw,
    reflected in four faces, my own gaze,

    out of my grief, I bit at both my hands;
    and they, who thought I’d done that out of hunger,
    immediately rose and told me: “Father,

    it would be far less painful for us if
    you ate of us; for you clothed us in this
    sad flesh—it is for you to strip it off.”

    Then I grew calm, to keep them from more sadness;
    through that day and the next, we all were silent;
    O hard earth, why did you not open up?

    But after we had reached the fourth day, Gaddo,
    throwing himself, outstretched, down at my feet,
    implored me: “Father, why do you not help me?”

    And there he died; and just as you see me,
    I saw the other three fall one by one
    between the fifth day and the sixth; at which,

    now blind, I started groping over each;
    and after they were dead, I called them for
    two days; then fasting had more force than grief.’

    This is a famous passage which Alessandro must have studied at school. 

    He offered to buy us more coffee, but we made our way to the Duomo of Santa Croce where Kelsey had attended mass the evening before. She took her cap off as we entered and made a cross. 

    The cathedral contained a spectacular array of marble and, to the left, the Madonna del Fuoco, the Fire Madonna, a painting of the Virgin Mary with Jesus. An information plaque and mural informed us that the artwork had hung in a school until 1425 when it miraculously survived a fire. The Fire Madonna is now considered the protector of the city.

    Though the Piazza Dante Alighieri was a bit disappointing – an urban rectangle of stray cats and pigeons with a war memorial – a plaque on the wall of the surrounding street said something of the time the poet had spent in exile in Forlí: ‘here, the house of the Ordelaffi family welcomed Dante Alighieri’. 

    The cross at the alter had been covered by a large maroon cloth because it was Good Friday. They would unveil it again on Sunday to mark Easter, when Jesus came back to life.

    A man with brown skin and worn shoes showed us the screen of his iPhone where there was written a request for money in multiple languages. 

    The market was in full swing outside the church, including clothes, shoes and fresh vegetable stalls from local farmers. We passed by a tiny rusting Fiat red panda car. A lady in a leopard coat with matching trousers and purse cycled by. A sausage dog came waddling down the street. 

    We had a leisurely lunch at a restaurant called Zio Bio 100% natura in Piazza Dante Alighieri. It consisted of aubergine parmigiana, a delicious crecione (the typical specialty of Romagna cuisine I had first tried yesterday) and fennel salad.

    Delicious doesn’t come close to it. 

    Today’s stretch of the cammino began with passing through the city gates of Forlí. From there we proceeded to a river where we had to army roll under a metal fence that blocked the path with a no entry sign which, by now, I’d learnt to ignore. 

    Like the doors of Dante’s Hell, it seemed to say,

    THROUGH ME THE WAY INTO THE SUFFERING CITY,
    THROUGH ME THE WAY TO THE ETERNAL PAIN,
    THROUGH ME THE WAY THAT RUNS AMONG THE LOST.

    JUSTICE URGED ON MY HIGH ARTIFICER;
    MY MAKER WAS DIVINE AUTHORITY,
    THE HIGHEST WISDOM, AND THE PRIMAL LOVE.

    BEFORE ME NOTHING BUT ETERNAL THINGS
    WERE MADE, AND I ENDURE ETERNALLY.
    ABANDON EVERY HOPE, WHO ENTER HERE.

    These words—their aspect was obscure—I read
    inscribed above a gateway

    Though we could see the mountains peeking in the distance, the route all day today was totally flat to the point that I almost missed the hills.

    What I didn’t miss was the continued surplus of tacky mud. 

    As we crossed under a bridge, our feet were submerged by the molten riverbank. Further up, the terrain was cracked from where the river had recently been higher due to excessive rainfall and washed away the bank. Two men on bicycles also sought to navigate it. 

    There was a light breeze and the clouds hung low in the sky. 

    We passed through another ‘do not pass’ sign and observed a crane doing work on the other bank of the river.

    After about an hour, the road became a raised mount between two ditches on which we continued nearly all the way to our final destination. The track was perfect for two people to walk side-by-side, which we did. It was riddled with ant mounds, beetles and seeds the shape of hearts (Kelsey’s interpretation) or pig snouts (mine).

    ‘That’s the biggest worm I’ve ever seen!’ Kelsey exclaimed.

    Plastic nets had been placed over fruit trees to protect them from intruders – a white wedding veil here, a black funeral mantilla there. Kelsey whose work focusses on reducing plastic waste in fishing, pointed out the damage of such farming innovations.

    We passed several farmers who were maintaining their fields and pretty country houses with large gardens. One had a rectangular swimming pool like a humungous bathtub. Another had a trampoline.

    It felt somewhat voyeuristic to be staring down at this from on high. I thought of a backwater tour I had taken on a boat in Kerala and how awkward I had found the experience of staring into other people’s private yards and private lives. 

    The flat, single-track walk became a little tedious with the hours and I was grateful for Kelsey’s company. Though I was also sad that she had missed the more spectacular parts of the cammino.

    By midafternoon, the wind had dropped and it was quite humid. A bird had become caught in one of the farming nets. As it futilely flapped upwards, we contemplated descending to try to rescue it but the bank was too steep. I thought of Ugolino in his tower and wondered if it would slowly starve to death. This is the price of our fresh nectarines, I thought.

    As we walked, Kelsey was inspired by the agricultural landscape to tell me about her childhood. Growing up in Southern California in a rural town she could relate to the scenery which also reminded me of a Steinbeck novel.

    A Bobcat tractor made her recall her twin brother Carl doing wheelies on theirs, while the waft of manure reminded her of playing in horse dung piles as a girl. 

    Red bugs burrowed into seed shells and a slug slowly made its way across the path. 

    A man in a smart bright blue coat was collecting dandelions for his rabbits. He scratched his back with his sickle dexterously. 

    There were horses and cockerels in the pretty farmsteads and gaggles of happy geese.

    Kelsey picked up rocks to examine them as we walked. She also collected stray pieces of plastic that had been discarded on the road. 

    We passed an abandoned house which was framed by a caravan and a water tower.

    Around 5pm, we stopped to take off a layer in the evening sun, sitting on the verge and putting our feet together and pumping them in a grounding stretch. I used to do this with my brother as a child when we were bored. We called it the ‘thinking game’. In a play on words, Kelsey called it ‘sole heal-ing’. 

    Our shadows merged together as we carried on beneath the crepuscular rays. 

    We passed by sprigs of elephant garlic which has healing properties and grass that looked like leeks. A hare leaped across a field, pumping its hind legs in tall arches like a water sprinkler.

    I reassured Kelsey not to worry too much about ticks or rattle snakes which had killed many of her cats and dogs as a child. 

    Nearing the farm stay we had booked for the night, Fattoria Chiocce della Romagnole, we took a shortcut through an apricot farm. We passed by a muddy ditch, into which I promptly fell and soaked my left foot, and a stinky swamp. I was reminded of the eighth pit of the Malebolge (‘evil pockets’) that constitute, in a wheel shape connected by bridges, Dante’s eighth circle of Hell. These ditches, or ‘pockets’ are used to punish various sins of fraud. One example is the second bolgia, where flatterers are submerged in excrement. 

    We arrived at our accommodation around 6.30pm to a warm welcome from our host Rossella and from a sturdy-looking man who was mowing the lawn. 

    Everywhere there were animals.

    Chickens with glossy coats of different varieties pecked at the ground; geese, both white and grey, waddled around on their neon orange feet; turkeys waved their wrinkled necks; guinea pigs nibbled on hay; sheep baad from a field behind the farmhouse; and two parrots, one red, one a grey African, spoke out to us. The guard dogs barked into the evening air. But best of all, four donkeys merrily wondered around the garden nibbling on the grass. 

    Kelsey is a huge animal lover.

    As we walked, she had told me about a donkey she had owned as a child called Sweet Pea, on whom she would ride around selling girl scout cookies. Once, he had bitten off the button from her brother’s jacket. He was choking, so Kelsey had had to hold open his mouth while Carl put his hand down her throat to retrieve it.

    ‘She was such a good girl.’

    When Sweet Pea died, they had used a tractor to dig her grave, only for it to fall on top of her. All of the neighbours had pitched in to tie ropes to rescue the tractor from the pit. In this landscape, I could picture all too well her rural childhood and took great pleasure in seeing her nuzzle the donkeys and kiss them on the nose. 

    The most lightly coloured one, Mais, Rossella explained to us, had become famous when, during a period of bad flooding that cut off the roads, he had walked three kilometers to safety with the help of the emergency services alongside his two girlfriends. In a play on words with his name, he became a symbol of the region’s resilience:

    ‘la Romagna non molla Mai(s)‘ – Romagna never gives up!’

    Two men, Marco and Francesco, were also staying at the farm having left from Ravenna yesterday to do the Cammino in the Florence direction. Helpfully for other hikers, they are recording their walk on the app, Komoot.

    ‘Oh, so you’re Jenny from the blog!’ they exclaimed. 

    In our room, two kittens, one with a black patch on his eye and spot on his face, the other grey, brown and white, played on our bed, jumping to catch iPhone cables and sniffing every item as we unpacked. The grey one purred like a motorbike. 

    ‘It must be a lot of work running this place,’ I commented to Rossella as we warmed up our dinner of artichoke pie.

    ‘It’s not work, it’s pleasure’ came her reply. 

    She was cradling, in her arms, a black and white skunk called Margarita. 

  • ‘Beware of the dog’: From Dovadola to Forlì

    The town of Castrocaro Terme offered interesting street art and engaging conversation, but a strange encounter with a dog left me melancholy.

    In the night we’d been visited by a storm which had brought with it thunder, lightning and heavy rain and so, over a breakfast of delicious fresh yoghurt, apricot jam and honey, I talked with Benjamin and Michaela, his partner and co-host, about the perilous weather in the region. 

    Mud slides and flooding had occurred in May of 2023 and an earthquake had struck in September of the same year. Their driveway had been split in two. In Faenza the river had broken its banks and Montemignaio had been cut off completely for 10 days. Two people had lost their lives.

    Michaela showed me images on her phone – they were catastrophic. 

    Pepe, their small black dog, licked my hand, insinuating that he would be thrilled to share my breakfast thank you very much. 

    I’m not a big dog person and during this cammino I have been quite scared on occasion at the ferocious barking that greets you when you pass by houses in town and country alike. 

    They have, affixed to their gates, the sign, ‘beware of the dog.’

    Michaela who is an interpreter fluent in Italian, French and Spanish explained that her and Benjamin spoke to one another and their two female children in French but that the dog was Spanish.

    ‘Pepe, ven aquí!’

    I felt comfortable in this plurilinguistic environment and spoke to the dog in an accented Spanish that I had learnt in Cuba at the age of 19. 

    In canto 31 of Inferno, Dante offers an explanation for the world having multiple languages, or a ‘confusion of tongues.’ As was church doctrine at the time, he sees it as a punishment for the construction, by Nimrod the giant, of the Tower of the Babel through which he sought to reach God and glory.

    ‘He is his own accuser;
    for this is Nimrod, through whose wicked thought
    one single language cannot serve the world.

    Leave him alone—let’s not waste time in talk;
    for every language is to him the same
    as his to others—no one knows his tongue.’

    It is said that this tower was destroyed by an earthquake,

    ‘No earthquake ever was so violent
    when called to shake a tower so robust’

    The Tower of Babel is the subject of three stunning paintings by the Dutch and Flemish Renaissance painter Pieter Bruegel the Elder.

    According to the principle of contrapasso whereby the punishment is an inversion of the sin, Dante punishes Nimrod not with linguistic diversity, as in all previous versions of the story, but by assigning him a non-language that communicates non-sense.

    As the Dante critic Teodolind Barolini explains, the social analogue to the linguistic fall is betrayal: the misuse and corrosion of the bonds that tie humans into social and familial consortia. 

    After the terrible weather events of 2023, Michaela and Benjamin had taken in two donkeys who had been displaced. Their names were Socrates and Augustine.

    I passed them and saluted them as I set off on my way. Ducks were quaking in the reservoir as I descended the hill at 11:30am. The rain was spitting. 

    Dante includes rain among the punishments for the violent against God, nature and art in canto 14 of Inferno, although his is a rain of fire. The arid desert of the third ring of the seventh circle is compared to the African deserts trod by Roman Cato, and Alexander the Great is evoked as having experienced in India a similar rain of fire:

    ‘Above that plain of sand, distended flakes
    of fire showered down; their fall was slow—
    as snow descends on alps when no wind blows.

    Just like the flames that Alexander saw
    in India’s hot zones, when fires fell,
    intact and to the ground, on his battalions,

    for which—wisely—he had his soldiers tramp
    the soil to see that every fire was spent
    before new flames were added to the old;

    so did the never-ending heat descend;
    with this, the sand was kindled just as tinder
    on meeting flint will flame—doubling the pain.’

    The rivers of Hell, meanwhile, Virgil informs Dante, are created by the tears of the Old Man of Crete. 

    It was cold and so I was wearing my yellow striped hoodie under my anorak, the only thing that I had left in my backpack that was dry. 

    I had washed my hair with the conditioner I’d purchased yesterday and tied it in two braids that hung down my neck. I’d put nardo oil on my feet before the plasters. I was getting short. I’d have to buy more in Forlì.

    I walked along a road for 15 minutes feeling anxious of the speeding cars. The clouds were bulbous and pregnant with rain.

    Soon the roar of the lorries was replaced by that of the river and I proceeded to a more tranquil trail. Wisteria pods hung off their stems like runner beans. They were soft to the touch like donkey ears.

    I wondered why on earth I’d packed two pairs of shorts.

    I passed by vines which were contorting their limbs on one side of the path and, to the other, olive trees were bunched together, a dusty green.

    Soon I entered the town of Castrocaro Terme which is known for its healing thermal waters. The fortress towered over me. The greenery on its top looked like a toupee.

    An acer tree thriving in the ground told me something of the composition of the soil. A DHL delivery driver in a yellow van was playing drum and bass.

    The first café I tried for lunch was closed – of course, it was a Thursday? But in a little square I found a bar outside of which an elderly man was coughing over a thick cigar. 

    As I ate a mozzarella and rocket sandwich which had been freshly prepared, we got chatting. His name was Silvano which means ‘man of the woods.’ When I explained about my cammino he began citing canto 3 of Inferno where Dante crosses the river Acheron, guided by Charon. 

    ‘here, advancing toward us, in a boat,
    an aged man—his hair was white with years —
    was shouting: “Woe to you, corrupted souls!

    … Charon, pilot of the livid marsh,
    whose eyes were ringed about with wheels of flame.’

    The demon Charon, with his eyes like embers,
    by signaling to them, has all embark;
    his oar strikes anyone who stretches out.’

    Although Dante’s verse doesn’t describe his crossing of the Acheron in Charon’s boat, since he faints with fear, his voyage has been imagined by several prominent painters including the Frenchman Delacroix.

    Silvano and I discussed the Euro, Brexit and who had killed Princess Diana. He was impressed, as was I, that King Charles had given a short speech in Italian on a recent visit to Ravenna. When he complemented me on my Italian I replied,

    ‘The Italian language is logical. Well, the language is logical, but not always what people say.’

    He chortled heartily. It felt good to be able to make a joke in a foreign language.

    A rum and tea was two euros fifty. 

    I took my jumper off since the rain had stopped and the humidity returned. Some of the other men in the bar chuckled, one explaining that when he’d gone to a wedding in England, he had been the only own dressed in a jacket while all the other guests were practically nude. Us Brits like to expose ourselves at the first sign of Spring, whereas the Italians cautiously hang on to their feather jackets, or piumini  until May at the very least.

    Silvano who had owned a gift shop by the seaside prior to his retirement was struck by my lapis lazuli necklace. It was gift from my East German friend Susanna who does ecological activism in Guatemala.

    ‘She’s doing the Grand Tour!’ one patron cried. ‘You’re here to cultivarti – to culture yourself, no? Just like the British elite did in the 19th century?’

    It turned out his name was Giovanni and he was a respiratory doctor who worked in the thermal baths.

    I left Silvano and Giovanni with a ‘buon appetito’ after an hour of rich conversation and carried on my way. Because of the weather, I decided not to take advantage of the many gelaterie.

    The town benches had been painted in different colours with messages that sought to bring hope to the local people. One read, ‘I keep asking myself, would there still be war if people used their brains?’ Another, ‘no to violence against women’ and another still, ‘one less piece of rubbish in the environment is a smile for the people’ – a phrase that rhymes in the original Italian. 

    There was a random photo booth in the street next to a Perspex bus stop. A school wall was painted with a mural depicting women from around the world and a garden contained a series of stone sculpture people.  

    The town had a surplus of banks, and there was the fizzy water fountain, next to a defibrillator. A small park with fairground rides sat next to an ugly breeze block hotel. Someone had graffitied a rather accurate penis on a bin.

    The town wouldn’t be a bad place to grow old, I contemplated. It reminded me of the spa town of Balneari Prats where I had spent time with my yoga guru Mary Paffard in Spain during multiple Springs.

    I exited through the medieval walls of the city, the cobbled stones serving as a welcome massage for my feet. Two children’s bicycles had been discarded on a corner without locks. There was an unexpected little forest of bamboo to the right.

    I stopped to explore the beautiful little church of Santa Reparata where there was a strong smell of bleach. Here too, women were cleaning in preparation for the Easter services. Outside, a lady was trying to entice two cats off the roof of her car. 

    As I proceeded to the off-road track that would take me all the way to Forlì beside the river, I met an Italian man with hiking poles.

    ‘Be careful,’ he said, ‘it’s super muddy.’

    I thanked him and carried on. Mud? I could handle mud by now. 

    Upon reaching the riverbank, I disturbed a heron who flew – dinosaur like – into the grey air.  

    The path was poorly trodden and tall grasses obscured it here and there. I’d attached my hiking sticks to my backpack since the terrain was flat and, without knowing what to do with my hands, I tugged on my braids and ran my fingers through the flora.

    Soon I arrived at an expansive mud flat which had the texture of quicksand on a beach.

    The Abominable Sands is a location in Dante’s Inferno. Indeed, it is the third and final region of the Seventh Circle of Hell.

    I thought of Dante’s description:

    ‘The ground was made of sand, dry and compact,
    a sand not different in kind from that
    on which the feet of Cato had once tramped.’

    In places, this sand was certainly far from dry and compact and the gentleman had certainly been right about the mud. I proceeded tentatively, one step at a time, managing to avoid submersion. 

    Red poppies clustered at the feet of vines to my left and an ugly piece of orange plastic netting blocked off a worksite.

    Then I took a sharp left into the woods. 

    The brambles reminded me of home, however I was relieved that there were relatively few nettles. A man mowed a lawn behind a hedge and I observed a plastic red chair stuck in a tree.

    Though the path was deserted, I took comfort in the dog prints that marked the path before me.

    The cloud still hanged low but the sun was starting to break through. I removed my anorak and enjoyed the feel of the breeze and occasional sun on my skin. My bare arms were covered in bramble scratches from earlier in the hike when I’d got lost in the woods with Alina.

    I noted the contrast between the wild grasses and the tidy vines. There was an abundance of a beautiful spiky, thistle-like plant that was streaked white and green.

    Inspired by the morning’s conversation, I sent a voice note in French to my friend and former student Sahra from Afghanistan who had moved from Italy to Belgium a couple of months prior where she was applying for university. Her response came quickly in a mix of Italian and French. 

    ‘You’re like a Sufi,’ she said. ‘Sufis walk and wonder.’

    I recalled placing a basket bin on my head and spinning in my mum’s white silk dressing gown as a child after we returned from a holiday in Turkey.

    ‘I’m a whirling dervish,’ I had exclaimed.

    And then there was the time I’d been to a global Sufi gathering on the Algerian border with my Moroccan friend Miriam. One woman had become so ecstatic she had collapsed in a fit of ecstasy. Some say Dante was influenced in writing the Divine Comedy by Sufi mysticism. 

    I passed a greenhouse with plants erupting through the roof and briefly conversed with two ladies who were hiking with a dog called Clifford. They agreed with me that Dante would have wanted me to do the walk this way, finishing in Florence and not Ravenna. Did I need anything?

    Further ahead, I saw a family complete with a dog, toddler, bike and pram. The middle child was racing ahead on his cycle and circling back in a burst of freedom.

    As I turned a corner, there appeared a black dog who was sporting a red bandana round his neck. Cautious at first, I pulled my hand into a fist to let it sniff me which it did tentatively. Then it looked at me as if to say, ‘are you coming?’ and trotted on.

    For well over an hour, I followed the dog as it made its way alone along the Dante path. At each fork in the road, I wondered whether it might turn the other way. But on it went in the direction of Forlì. When I stopped to pee, drink or rest, so it stopped too. And mad as it sounds, it appeared to be smiling at me, lolling out its neon pink tongue and wagging its tail erect.

    As I ducked under a surplus of ivy, I lost sight of it and felt a pang of sadness. But then there it was again. This part of the path was more well-trodden and I imagined it was a common recreational ground for the locals. Still, there was nobody around except me and my new guide. 

    All the while, he kept ahead at a distance of around three metres. Now the dog prints ahead of me made sense. 

    I felt my belly rumble and wanted to stop for a snack, but I was scared of losing this dog who I had by now nicknamed Virgil.

    It stopped to defecate, yawning with his mouth wide open.

    My leg had acquired a sprig of sticky weed. I blew a dandelion for no one else but myself. One obstinate seed stayed on the stem.

    The river to my right gurgled like my stomach.

    I wondered if the owner had dropped Virgil at Castrocaro Terme to let him take himself on a walk back to his home in Forlì. I tried to approach him to check his tag but he wouldn’t let me come close, only follow him.

    He was quicker than me up the hill but when I turned the corner, there he was panting, still waiting for me.

    My shoes were rubbing and I would have stopped to rest and take some ibuprofen, but for the dog, I had to continue.

    He kept peeking his head back to check I was still there. Where was he going?

    On the ground were fallen ivy leaves shaped like hearts and soon, as we passed through another prairie, Virgil’s back became covered in yellow petals from the flowers. A seed that looked like soft cotton on stems and another that resembled a caterpillar fell from the trees above me to my feet.

    I thought we must be getting close to Forlì. There was some kind of industry that looked like a quarry on the left and pretty soon we hit a main road. Would Virgil now abandon me?

    None of my friends had dogs and I was a cat person. I had a cat called Dante Alighi-‘hairy’ and, before that, I’d had Toffee, a rescue with anxiety issues. When I’d gone to the vet to put her down, my friend Danni accompanied me. I was so traumatized that I had vomited in the sink in the veterinary surgery. I still owe Danni 100 pounds for the procedure.

    I was playing music on my iPhone which was tucked into my bra, the words of Talos rang out,

    ‘Your love is an island, I’m scorched in the sands of it.’

    Virgil went under an underpass. I thought the way would be to the left, but I followed him. When I checked the map, he was right.

    I wished I had some kind of treat to offer him, but the relationship was not reciprocal. He was leading me. Now, when he stopped to sniff something, I waited for him.

    ‘I’m here. Don’t worry I’m here,’ I said.

    I could suddenly understand how people got so attached to their dogs. He was so loyal.

    I think this was the longest I’d walked without taking a break. It was coming up to ninty minutes.

    It was 5 o’clock and the sun now definitively occupied the sky having won the battle with the rain clouds. Virgil drank from a clear puddle in the path that hugged a ploughed field to the left.

    When we came back to the river where I was supposed to cross, he jumped in for a swim and waited for me on the opposite bank. The current was strong and, lo and behold, there was no bridge. I would later learn that it had been washed away in the recent heavy rainfall. For now, I was quite literally stuck in the mud.

    Five minutes passed as I tried to work out a solution. We locked eye contact. I couldn’t cross the river but to turn back to the road would mean to leave him.  

    I thought about taking my leggings off and trying to wade over but the water looked deep and the current spooked me. 

    I stood there on the shore feeling tears prick at my eyes and the muddy water soaked once more into my boots. My feet ached and I wanted to sit down and consider my options, but I couldn’t: the riverbank was a swamp of ash-coloured mud. My feet were slowly sinking down above the ankle.

    A jogger ran past Virgil on the other side of the bank. I contemplated calling out to her. 

    I turned to wade back onto solid ground and when I looked back, Virgil was gone.   

    I walked five minutes to a bench and was just quiet for a while, listening to the sound of bird song. I noticed a little mushroom underneath the bench which was like a nipple in shape and size. I bit into an apple I had bought yesterday. It was the size of a fist, red and yellow.

    I had a video of Virgil swimming across the river which I now watched obsessively on repeat.

    I picked some grass out of the zip of my anorak with my hands and put it back on. A large pigeon flew through the trees. Finally, I took some ibuprofen for my feet.

    I was riddled with a melancholy I found hard to understand. Virgil had crossed the river Acheron and I had not. 

    I headed back to the main road to take an alternative route into Forlì with a sigh. 

  • Mushrooms, Bees and Fallen Leaves: Montemignaio to Castel San Niccolò

    The Tuscan landscape with its dandelions, daisies and cultivated fields has echoes of Ukraine where war still rages on.

    Today we woke up leisurely and made the 13-kilometre trek to Castel San Niccolò from Montemignaio. 

    As we munched on basil pesto on toast for breakfast, Alina showed me videos from the cities of Ukraine, Lviv – city of the lion, and of the epic landscape of the Carpathian Mountains. She has been commenting a lot in the last three days on how the landscape reminds her of Ukraine: a dandelion, a freshly ploughed field, an iris tentatively spreading its pastel petals in the Spring breeze. 

    The emotion is raw. Watching the camera pan over the hills and churches we both had tears in our eyes. 

    ‘We’ll go and hike there one day’, we both agreed. 

    Alina is getting a taste for the sweet ache of long-distance walking.

    She’s hardly hiked before and her life in Italy is largely restricted to Rome where she runs the holistic creative agency Sensi and fights to thrive in a context that would have her live on a meagre allowance a month. This is money incidentally that hasn’t even reached her account in recent months because of bureaucratic delays. She’s nothing if but a fighter. As she hopped over logs today in soggy trainers she was on the phone doing business. 

    ‘This walk is like metaphorically walking through my homeland’, she remarked today as the rain began to fall and the scent of freshly cut grass and quarry dust mingled in the air. 

    The first part of our walk was uphill through dense forest. The leaves that blanketed the floor crunched beneath our feet. They were interspersed with primroses the colour of Sicilian lemons, violet flowers and patches of moss an emerald shade of green. 

    Some of the trees seemed strangely out of place with their brown flesh shedding into the wind. 

    After talking with Alina about the war this morning, I was reminded of the poem ‘Soldati’ by the Italian poet Ungaretti:

    ‘‘They hover like

    The leaves 

    Of autumn

    On the trees’

    Si sta come 
    d’autunno 
    sugli alberi 
    le foglie.’

    I remember I was given this poem at my interview at Oxford University when I auditioned to read French and Italian. I was quite stunned to read it then and it moves me now in its simplicity. The verb ‘stare’ connotates a sense of temporariness that I’ve tried to capture with the word hover in my translation. 

    ‘How do we mourn so many dead?’ asked Alina.

    ‘I feel like this trip is a very healing space. Like we’re doing it here but the impact touches back home.’

    As we were speaking, a Whatsapp message pinged into a group I share with university friends. 

    ‘Will’s been got!!!’ It read.

    Will is the co-head of the charity Greenpeace UK and one of my dearest friends. It transpired that he had been arrested for pouring biodegradable blood-red dye into a pond outside the US embassy in London. He was among five people put in cuffs when the large pond outside the embassy was turned red in what Greenpeace said was a protest at the US government’s continued sale of weapons to Israel.

    Will had been arrested on suspicion of conspiracy to cause criminal damage, which carries a maximum sentence of 10 years in prison. Four other activists were also arrested near the embassy.

    I’ve become used to friends being arrested in the last two decades. A lot of my acquaintances are activists and I’ve come to know the deep belly fear of not knowing how the UK’s increasingly repressive government will punish them. Once, we recorded a whole audiobook for my friend Danni, fearing the worse when she was on trial for ‘aggravated trespass’ for occupying a runway to protest climate change and the new Heathrow runway. Luckily, she got off, but the terror was real. 

    How, my mind repeated. How do we mourn so many dead. 

    The chestnut shells were crispy at our feet, their hairy bodies split open by the footsteps of previous pilgrims. Though it must be said that whoever had come before us also had their work cut out. The path today was riddled with fallen trees and prickly thorns that sought to impede our route. We only got lost once, a move remedied by a twenty-minute dance over dead trees and waterfalls. I went ahead, whistling to orientate Alina with my two fingers tucked tightly into my mouth the way my Granny taught me as a child.

    As we approached another ascent, we played 90’s pop songs on our phones to maintain our mood. And then came the relief of the classic anthem by Paul Johnson, ‘Get Get Down’. And down we went, tottering with aching feet on the rocky terrain. 

    The sound of flowing water accompanied us today as we passed by numerous cascades and then arrived at the river. The town of Prato di Strada is well named – it is quite literally ‘lawns’ by the side of a major ‘road’ with the river bubbling by to the right of it. Stones line the sides of its path, worn smooth by the flow of the years.

    To look up was to see tin beehives in multiple colours and stone terraced houses tucked neatly into the folds of the hills. Smoke rose into the grey sky from farmhouses lacing the air with the scent of charred oak which was mingled with manure. 

    As we trod the difficult terrain Alina repeated her refrain, 

    XiaoXin (小心) – careful! 

    It literally means ‘little heart’ in Mandarin Chinese.

    We talked about how we both use these little phrases stolen from the various countries we have lived in. I say ‘oopla’ like a French woman when I tumble and ‘Alhamdulillah’ when we re-find the path from which we’ve strayed. Once I thanked Allah at a dry cleaner in Queensway, London after they managed to get a particularly difficult stain out of my then husband’s trousers. The Moroccan owners were so tickled they offered me the service for free. This is how we move through the world as global citizens. 

    Alina lived in China as a fashion designer for ten years before the war when she moved to Rome as a refugee. Like Dante, she was made an exile in absentia. Yesterday she’d told me about the richness of her experience in fashion and production: an apprenticeship at Alexander McQueen in London and then years spent in industry in China and the Middle East, including – a stint that tickled me – designing costumes for humans and animals alike for the world’s largest circus,

    ‘You know it’s quite a feat to measure the inner thigh of an elephant,’ she quipped. 

    The extraordinary variety of scenery we have passed in these three short days gives a sense of the topography of Dante’s Hell: towering banks from which he and Virgil stare down at sinners; streams made sinister by the force of gravity that has the water hiss like a serpent as it falls. 

    He makes little mention of the vast array of neon mushrooms, palm sized lizards. The ubiquitous caterpillars and butterflies are also absent from his infernal landscape. 

    We passed by horses in a field. A bus stop casually erected with three unmatching chairs beneath a tin canopy. We hugged the river until we arrived at our destination of Castel San Niccolò from where we faced another up-hill hike to our air b and b.

    At the end of the second part of the Divine Comedy, Purgatory, Dante drinks from two rivers, the Lethe and then the Eunoe. I wondered whether the River Solano with its gentle banks had inspired him. Today it is hard to access due to the phalanx of ‘no fishing’ signs. 

    We went a bit wild in the grocery store and purchased local pecorino, marinated artichokes and some Tuscan ribollita, a soup made with left over vegetables and stale bread typical of Florence. The server was tickled by the way Alina and I spoke to each other in a mix of Italian and English. When we arrived back at the house to unpack our spoils, we found she’d tucked in some extra aniseed buns, on the house. 

    Many people greeted us in the town,

    ‘Salve!’

    ‘Buon cammino!’

    ‘Anna’s house’, was hard to find but once we arrived it afforded rewarding views of the valley and surrounding town. I sat on the doorstep with a cup of tea as Alina snuggled her slim body into the window ledge, reading out loud from the copy of Paradiso that was tucked into one of the bookshelves. 

    ‘What’s the Empyrean?’ she asked. 

    In Dante’s cosmology, the Empyrean Heaven, Empyreal or simply the Empyrean, was the place in the highest heaven.

    Speaking of heaven – though somewhat less glamorous. In the absence of a bathtub, as Alina read on contently in her nook, I took out one of the recycling bins and filled it with hot water.

    Adding some shower gel, I slowly placed inside, one by one, my aching feet. The top of my toes were raw with blisters and my heels appeared to have swelled in size from the rub, rub, rub of my walking boots. The feeling of the warmth gave me an immediate dopamine boost and I heaved a peaceful sigh. 

    Alina had put on music. 

    Leonard Cohen’s ‘Famous Blue Raincoat’ rang out into the evening air as swallows circled the sky and a neighbour’s cat walked curiously by. 

    ‘Every house should have a copy of the Divine Comedy,’ Alina said.

    Recommended reading: Activists disguise as delivery riders to pour blood-red dye into US Embassy pond in London: https://www.standard.co.uk/news/london/met-police-blood-red-dye-us-embassy-pond-israel-arms-sales-london-b1221715.html

    Recommended viewing: video of the Ukrainian Carpathian Mountains: https://www.youtube.com/watch?v=gBW7EFfYGI0

    Recommended listening: Leonard Cohen’s ‘Famous Blue Raincoat’: https://www.youtube.com/watch?v=ohk3DP5fMCg

  • In the Distance: Florence to Pieve a Pitiana

    Renaissance paintings line the route, but be wary of getting lost in the wood of suicides.

    Though I remain determined it is what Dante would have wanted, starting my pilgrimage in Florence, Dante’s birthplace, rather than his site of exile and death, Ravenna, had the drawback of beginning with what is said to be the hardest day of the cammino: 30 kilometres with an ascent of 895 metres. Though I’ve been training back in the UK in the Peak District near my home, I was somewhat daunted as to how the day would unfold.

    I woke around 7am to the sound of birds singing and the chiming bells of Santa Spirito, the ‘church across the river’. I left Anna and her family sleeping soundly as I packed up my bag and tried discretely to exit the jewelry studio through the glass double doors that opened onto the quiet street. Succulents a hue of pink and green occupied window boxes along the cobbled passage into which the sun was sneakily smuggling its first rays of the morning. 

    In Santo Spirito square the market sellers were already setting up their stalls: leggings, knickers, pot plants, copper bracelets and beaded earrings the size of oranges. Two dogs – one caramel and fluffy, one white and slick – frolicked by the central fountain while their owners puffed on cigarettes and made casual conversation.

    I took an espresso macchiato and looked across at the church. Among other delights, it contains the Madonna with St. Catherine of Alexandria and St. Martin of Tours by Filippino Lippi. The altarpiece is also known as Pala de’ Nerli from the name of the commissioners, Tanai de’ Nerli and his wife Nanna, who are shown in donor portraits at the sides – the Renaissance equivalent of a selfie. 

    The painting was commissioned by the church in 1494, so some 100 years after Dante walked the squares of Florence. Lippi’s style is sensual. Gone are the 2D Giotto era portraits of Jesus looking like an adult squeezed into a baby-sized body. Lippi was a contemporary of Botticelli whose fleshy Madonnas continue to mesmerize visitors to the Uffizi with their delicate features. 

    The Uffizi Gallery literally means ‘offices’. It is named after the seat where the city’s rulers used to conduct their affairs. Once business was conducted in the Bargello, now an art gallery home to dozens of Donatello sculptures where Dante would have served as a member of the political elite. 

    The Bargello is the ideal venue to trace the complex relationship between Dante and his home city. In the Sala dell’Udienza of the then Palazzo del Podestà (today the Salone di Donatello), on 10 March 1302, the poet-politician was condemned to exile. In the adjacent Cappella del Podestà, a few years later, Giotto and his school portrayed Dante’s face for the first time, including him in a fresco among the ranks of the elect in Paradise. It is said to be the first ever portrait of Dante.

    The façade of the Santo Spirito Church is striking in its simplicity. As I passed and continued towards the Ponte Vecchio, runners wove in and out of my path and trucks disembarked cargo to one of Florence’s hundreds of eateries. One box read, ‘Lobsters and fresh mussels.’ 

    An Asian couple were taking wedding photos on the famous bridge which connects the Uffizi Galleries to the Pitti Palace which the Medici once called their home. Her veil glittered in the morning sunlight as the photographer insisted they ‘kiss, kiss, kiss!’

    I took a second coffee when I reached the Piazza del Duomo which, unlike the rest of the still sleepy city was bustling with life. Tour groups followed umbrellas like leaf cutter ants and carriages pulled by horses escorted tourists through the narrow streets. In Venice, the streets are known colloquially as ‘rughette’ or ‘little wrinkles’. I smiled as I recalled this fact, spreading wrinkles across my own face.

    Then came the time for our meeting. 

    Alina arrived, her flaming red hair licking her collarbone and cascading over her shoulders.

    She was wearing a beautiful black coat over sweatpants and a running jacket designed by one of the fashion houses for whom she had previously laboured. She had succeeded in stashing a huge amount into her small backpack.

    ‘That’s what comes with moving around a lot,’ she said. ‘And the coat? Well, if you invite a refugee on a walk, they likely only have one coat, and this is it.’

    We hugged tightly, shedding the first of what would be several tears over the coming days, and reached out and touched the walls of the baptistry where Dante had been immersed in 1265 and to where he had hoped one day to return as a poet post-exile. In Paradiso canto 25 he writes,

    ‘If it should happen . . . If this sacred poem—

    this work so shared by heaven and by earth

    that it has made me lean through these long years—

    can ever overcome the cruelty 

    that bars me from the fair fold where I slept,

    a lamb opposed to wolves that war on it, 

    by then with other voice, with other fleece,

    I shall return as poet and put on,

    at my baptismal font, the laurel crown .’

    ‘Se mai continga che ’l poema sacro

    al quale ha posto mano e cielo e terra,

    sì che m’ha fatto per molti anni macro, 

    vinca la crudeltà che fuor mi serra

    del bello ovile ov’io dormi’ agnello,

    nimico ai lupi che li danno guerra; 

    con altra voce omai, con altro vello

    ritornerò poeta, e in sul fonte 

    del mio battesmo prenderò ’l cappello . ‘                        

    It is tradition to depict poets in Italy with laurel crowns, one now adopted by students who port the symbol on graduation day. When we completed our Reading Dante with Refugees course in Rome, I made sure that all of the students received from Stephan, the Director of the Trinity College Rome Campus that hosted us, a laurel crown. 

    Alina, a Ukrainian refugee fashion designer turned feminist activist, was one of the eleven refugee students who took my class. For her final project she imagined her own journey from Inferno to Paradiso through the lens of the Italian bureaucracy. In the short film she made for the course, Paradise of Exiles, she shows herself moving from the dark wood (she literally, set off at 2am to shoot in woods outside of Rome) followed by the Purgatory of refugee status determination and the eventual Paradise of finding peace in Rome’s art scene. She filmed the final scenes at an exclusive shoot at the Galleria Borghese where my friend Stefania Vannini is a curator. She looks resplendent with her red hair against the green walls. I’m there in the background cheering her on.

    Since the course finished two years ago, I have become somewhat of a mentor to Alina, even though she is only five years younger than me. I know the value of mentorship having experienced it first-hand myself so many times over: Julie, Andi, Janey, Joyce – you know who you are.

    We took our time winding through the bustling morning streets before passing to the river, beside which we hiked a good few kilometres before turning up a road that led us outside of the city. For the entire morning, the Florentine landscape peaked out behind us like a jester egging us on. Each time we turned around she was more distant. I thought of Dante and how close he would have come in his exile. While we know, as this trek honours, that he dwelled at several lodgings by the river Arno, did he get close enough to see the cityscape which then would have been teaming with medieval towers and devoid of today’s famous domed landscape curated by Brunelleschi and Giotto?

    Swallows sprung from under bridges and inside cemeteries, disturbing the air with the gentle flap of wings. Street corners were embellished with Madonna and child.

    Alina and I chatted fluently in our colloquial mix of Italian-English as we followed the path up, up, up and left the gilded city in our trail. At 11.30 on the dot we stopped at a bench overlooking the city for her to join a call with two interns working for her holistic creative agency, Sensi, who were running an event on refugee wellbeing. I took the time to check our route and enjoy the delicate scent of crocuses that filled the spring air. 

    Despite her small bag, Alina had packed in an impressive amount of food including ‘unsalted bread’ from her local Bangladeshi deli. I was relieved to find that I was able to stomach dates again after a traumatic incident in Syria where I spent a 12-hour bus journey to Jordan munching on a bag-full only to find, upon sunrise, that it was also filled with ants. Oh well, protein is protein.

    Alina shared her news and I caught her up with my life. We’d both spent depressive winters hiding beneath the sheets of our beds and were grateful, like the crocuses, to be coming back to life. I had nominated Alina to be part of the Nobel Women’s Initiative Sister to Sister mentorship programme in 2023 and now she’d been invited to participate in a peacekeeping mission to Ukraine. It’s a funny kind of pride I felt as both a teacher and a friend. 

    ‘It’s about time women got some coverage in the Ukrainian-Russian conflict in Britain,’ I commented. ‘Too true,’ she observed.

    Once we had taken in the last glimpse of the Duomo it was after lunch. We ate schiacchiata sandwiches, a Florentine delicacy which literally means ‘squashed together’.

    The day was hot.

    In the town of Bombone we stopped to refill our water bottles and I marveled at the fact that the town council had voted to put in a well that featured not just purified still, but fizzy water. I made the mistake of filling my camel drinking pouch with it, only for it later to explode inside my bag. Luckily though my bum got soaked, my laptop survived.

    We met a kind faced 80-year-old lady who Alina showed how to use the fountain,

    ‘In all these years, I’ve never known,’ she said. ‘Buon cammino!’

    A lot of Alina’s utterances start with the phrase ‘before the war’, just as mine do with ‘before my divorce’. Before long we were completing each other’s sentences. 

    ‘Before the war, I got my eyebrows done.’ 

    ‘Before the war, I worked for Alexander McQueen.’

    ‘Before my divorce, I worked for openDemocracy’

    ‘Before my divorce, I thought that by simply loving people I could change the world.’ 

    Perhaps something of the latter is still true.

    Mum dropped me a text asking how it was going, addressing me as ‘her Marco Polo’. 

    ‘Benissimo,’ I replied.

    I was so happy to see Alina. 

    Despite her slender Ashtanga yoga and capoeira molded frame and my own body, bloated with anti-depressants, she was less trained for the hike than I was. She pushed on honorably in her sneakers rarely complaining or even stopping to drink water. Layers were taken off and on as we moved in and out of the sun. 

    ‘I can’t get over the fact someone has gone to all this effort to mark this trail!’ I kept repeating, euphoric that someone out there might be more obsessed by Dante than me. Each sign post for the Dante trail had been marked with a red sticker on a lamppost or a wooden sign with the letters CD singed into it by hand by the trail’s father, Oliviero Resta, who I hope to meet in person in Ravenna.

    I would say it was hard to get lost if it were not for the half an hour detour we took tumbling down a dark forest following the GPS and ignoring the very clear ‘no trespassing’ sign. It turned out we were right, but the forest spooked us both. As we crossed the barbed wire and our feet became trapped in brambles, I thought of the documentary, Green Border, I recently watched about refugees seeking to cross the Belarussian-Polish frontier at the edge of Europe.

    ‘You can imagine Dante feeling a little shitty here, eh?’ we remarked. 

    Finally, arms shredded with brambles we were back on solid ground.

    We passed fields of tortured vines that provided a rich supply of local wine and stopped at a vineyard called Fattoria Pagnana to taste the local fare and buy a bottle for tonight’s hosts, a family of six who look after the local church. While much of today consisted of being barked at by aggressive guard dogs, at the winery the two brown dogs approached us tails wagging and tongues lolling out of their mouths, desperate for a touch. Alina like me is an animal lover. 

    ‘Don’t lick my face!’ She squealed.

    They licked her face.

    At 5pm, our host, Stefano offered to pick us up in the neighbouring village but we were insistent that we would carry on. We resisted the temptation to stay in Rignano sull’Arno for a Palestine solidarity music night and arrived at Pieve a Pitiana at around 8 in the evening with the sun setting behind us. 

    We had both been spooked by getting lost in the forest earlier in the day and now as the sun set, the sun kissed vines metamorphosed into Dante’s wood of suicides.

    In Canto 13 of Inferno, Dante encounters those who have taken their own lives, following on from Canto 12 where he depicts those who have been violent towards others or their possessions. The canto is heavy with negativity:

    ‘No green leaves in that forest, only black;  

    no branches straight and smooth, but knotted, gnarled;  

    no fruits were there, but briers bearing poison.’  


    ‘Non fronda verde, ma di color fosco;

    non rami schietti, ma nodosi e ’nvolti;

    non pomi v’eran, ma stecchi con tòsco.’

    Dante is remarkably kind to the souls, much to Virgil’s chastisement, asking after them and their stories. Virgil encourages him to snap a branch off one of the oaks from which blood drains and the soul within orates. This is how he meets Pier della Vigna, an advisor to Frederick II who killed himself when his reputation was ruined by false rumors. Frederick asks for Dante to heal his reputation on earth, because this is the only part of him that survives outside of Hell. Though encouraged by Virgil to interrogate the tree like an asylum seeker on trial, Dante is so stirred by pity that he says he cannot think of anything more to ask the soul.

    Dante describes the tortured woodland as infested with harpies who abuse the souls by ripping off their branches. In an act of symbolic retribution, it is said that when each of the blessed and damned will return with their body from the Last Judgment, those damned for suicide will not re-inhabit their bodies but instead hang them on their branches, both because they denied them in their final act of life and as a reminder of what they denied themselves. Salvador Dalí depicted this starkly in one of his many paintings of the Commedia.

    As I mentioned above, Alina and I had spoken over the course of the day frankly about our own very difficult winters. Previous experiences of depression and suicidal thoughts had also weaved their way into our casual conversation, as they had many times before. It felt concrete and somewhat scary to see this fictitious scene brought to life. 

    We arrived at the church of Pieve a Pitiana to a roaring fire and an equally warm welcome from our host Stefano, his wife Giorgia, Stefano’s mother and their three bubbly kids. Anna, the middle girl-child was excited to practice her English, asking us about our favourite sports, meanwhile the youngest boy was keen to discuss all things Pokémon, later gifting us each a precious Pokémon card (I got Chansey, super power level 80. Get in!)

    He had been off school sick and held his arm in a sling made from a shredded blanket. 

    ‘You look like a Roman wearing a toga!’ I commented, at which he giggled. His dimples pitted his face like someone had imprinted it with little olive pips. 

    We ate a simple meal of pasta al pomodoro with eggs from the three happy free-range hens that were the family pets and aubergine marinated by Stefano’s mother. Stefano and Giorgia talked to us about the 600-year-old house and the church that had even longer foundations. They had met in Peru. Their oldest son Michael was a bit timider but cited to us the first verse of the Divine Comedy after remarking, 

    ‘Wow, you guys are like really, really into Dante!’

    I think they were glad to have someone to talk to.

    After dinner there followed a private tour of the church where we were able to marvel at the paintings of Ghirlandaio, an early Renaissance painter of the Florentine school noted for his detailed narrative frescoes. One had been stolen, Stefano explained, and a replacement had been installed. He was careful to put on the alarm before we left. Alina said a short prayer. 

    The house sits beside an NGO that works with local migrant children and the two stories Alina and I shared were strewn with half-finished craft projects and colourful drawings on the walls. Since we both work with refugee children, it was a sight familiar to us both. They marked a stark and stunning contrast with the 14th century stonework which peaked out at points from beneath the pastel plaster. 

    With full tummies, Alina and I headed to our bunks in the arts room, sleeping beside loo roll easter bunnies and papier mâché masks. A warm shower was most welcome. My inner heels had developed thick blisters while Alina’s little toes looked like they had come down with plague sores.

    An open fire kept us warm and dried our soap rinsed socks and knickers as we snuggled into our blankets and rested our weary limbs. 

    Apparently, I screamed out at one point in the night but this I don’t recall.

    Recommended watching (turn on subtitles): Paradise of exiles: https://www.youtube.com/watch?v=-o-lUZq_71E

    Recommended watching: Green Border: https://www.imdb.com/title/tt27722543/

    Recommended reading: openDemocracy 50.50: https://www.opendemocracy.net/en/author/jennifer-allsopp/